About the Pulps
Pulp magazines (often referred to as “the pulps”), also collectively known as pulp fiction, refers to inexpensive fiction magazines published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long.At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue. The most successful pulp magazines were Argosy, Adventure, Blue Book and Short Stories described by some pulp historians as “The Big Four”. Among the best-known other titles of this period were Amazing Stories, Black Mask, Dime Detective, Flying Aces, Horror Stories, Love Story Magazine, Marvel Tales, Oriental Stories, Planet Stories, Spicy Detective, Startling Stories, Thrilling Wonder Stories, Unknown, Weird Tales and Western Story Magazine.
Description from Wikipedia.
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Where do these scans come from?
This library wouldn’t be possible without the hard work of people who take time to scan these magazines. The scanning process can be time consuming and arduous. The cheap paper used in the original printing process often contains a higher acid content than the higher quality paper varieties available today. Over time this low quality paper becomes more fragile and brittle. The scanners have to use special care to make sure the scanning process does as little damage possible. On some occasions the magazines are to far gone and must be broken apart or separated to be scanned. A special thanks goes out to the following groups and websites who have provided all the pulps available here.
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pulpscans.groups.io
thepulp.net
pulpcovers.com
archive.org
comicbookplus.com
Contact Us
.44 Westernadd_circle_outline
1940
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10 Story Detectiveadd_circle_outline
1941
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10 Story Westernadd_circle_outline
1943
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12 Sports Acesadd_circle_outline
1943
5 Detective Novelsadd_circle_outline
1950
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A. Merritt’s Fantasyadd_circle_outline
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Ace G-Manadd_circle_outline
Ace-High Western Storiesadd_circle_outline
Acesadd_circle_outline
1931
Action Storiesadd_circle_outline
1926
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Adventureadd_circle_outline
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an offshoot of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine’s first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927. –Taken from Wikipedia
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Air Actionadd_circle_outline
1940
Air Adventuresadd_circle_outline
1939
Air Storiesadd_circle_outline
1928
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Air Stories UKadd_circle_outline
Air Waradd_circle_outline
1942
1943
All-American Fictionadd_circle_outline
1937
All-American Football Magazineadd_circle_outline
1943
All-Story Detectiveadd_circle_outline
1949
Amazing Storiesadd_circle_outline
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback’s Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
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American Detectiveadd_circle_outline
1936
American Eagleadd_circle_outline
1942
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American Magazineadd_circle_outline
American Sky Devilsadd_circle_outline
1942
Argosyadd_circle_outline
1932
1942
Army Navy Flying Storiesadd_circle_outline
1943
Astonishing Storiesadd_circle_outline
1943
Astounding Science Fictionadd_circle_outline
1941
Astounding Science Fiction UKadd_circle_outline
1940
Authentic Science Fictionadd_circle_outline
Authentic Science Fiction was a British science fiction magazine published in the 1950s.
At this time, science fiction magazines had been published successfully in North America for over twenty years, but little progress had been made in establishing British equivalents. The bulk of British sci-fi was published as paperback books, rather than magazines; a situation opposite of that in the US.
Since 1939, Atlas, a British publisher, had been producing a reprint edition of Astounding Science Fiction, one of the most well-regarded American sf magazines. During the war the contents had often been cut severely, and the schedule had not been regular, but it was reputed to sell 40,000 copies a month. This was enough to attract the attention of Hamilton & Co., a British publisher looking for new markets.
In 1949, Hamilton hired Gordon Landsborough as an editor. Landsborough did his best to improve the quality of the science fiction he was publishing, and was allowed to offer £1 per 1,000 words for selected material. He also was joined at Hamilton by H.J. Campbell, who was hired as a technical editor. Campbell was a London science fiction fan; he had been brought on by Hulton Press (publisher of the very successful comic the Eagle) to create a science fiction magazine, but the project had been abandoned before seeing print.
Out of this came Authentic Science Fiction, which in various incarnations, ran for 85 issues. source:wikipedia.
Baseball Storiesadd_circle_outline
1945
Battle Birdsadd_circle_outline
1942
Best Sports Storiesadd_circle_outline
1951
Big Book Detectiveadd_circle_outline
1942
Big Book Western Magazineadd_circle_outline
1940
Bill Barnes / Air Trailsadd_circle_outline
1934
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Black Book Detectiveadd_circle_outline
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Black Maskadd_circle_outline
1932
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Captain Futureadd_circle_outline
Captain Future is a science fiction hero – a space-traveling scientist and adventurer – originally published in a namesake pulp magazine from 1940 to 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works. Most significant was a 1978-79 Japanese anime (キャプテン・フューチャー), which was dubbed into several languages and proved very popular, particularly in Spanish, French, German and Arabic.
The stories were published in the pulp magazines from 1940 to 1951, featuring bright-colored cover illustrations by Earle K. Bergey and two other fellow pulp artists. The adventures mostly appeared in Captain Future’s own magazine but later stories appeared in Startling Stories. Captain Future is Curtis Newton, a brilliant scientist and adventurer who roams the solar system solving problems, righting wrongs, and vanquishing futuristic supervillains…
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The series contains a number of assumptions about the solar system which are outlandish by modern standards but which still seemed plausible, at least to the general public, in the time the stories were written. All of the planets of the solar system, and many of the moons and asteroids, are suitable for life, and most are already occupied by humanoid extraterrestrial races. The initial adventures take place in the planets of the solar system but later stories (after the character invents the “vibration drive”) take the hero to other stars, other dimensions and even the distant past and almost to the end of the Universe. For example, they visit the star Deneb, which is the origin of Earth humans, as well as many other humanoid races across the Solar System and beyond.
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Captain Hazzardadd_circle_outline
Originally published in May of 1938, Captain Hazzard was a one shot issue magazine intended to be published bi-monthly by Magazine Publishers under the Ace Magazine imprint. Hazzard was a clone of Street and Smith’s extremely popular Doc Savage. While Doc was raised in an environment created to make him the optimal human being. Hazzard was an orphan who had lost his sight for 15 years. During his time of blindness Hazzard “developed his mental powers far beyond those of the average person” including the ability to communicate with others telepathically. In a typical pulp hero fashion after his vision returns he studies Oriental mysticism, becomes a mechanical genius, creates a research facility: Hazzard Labs, and collects other scientists and adventures to help him battle the forces of evil.
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Like Doc Savage Capt. Hazzard has a unique eye color that changes based on the the situation, fluctuating between gray and a steely blue. The character of Captain Hazzard fell into public domain several years ago. The original story Python Men of Lost City has been reprinted and rewritten by Ron Fortier and four new stories have been published. Captain Hazzard: Custer’s Ghost, Captain Hazzard: Cavemen of New York, Captain Hazzard: Citadel of Fear, and Captain Hazzard: Curse of the Red Maggot.
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While the author of the original magazine story is credited to a pseudonym Chester Hawks, the true author remains unknown.
1938
Captain Satanadd_circle_outline
Captain Zeroadd_circle_outline
Captain Zero as a crime fighting pulp hero. Lee Allyn is cursed with a mysterious capability of becoming invisible at the stroke of midnight and re-appears at dawn. Only his eyes are visible providing an achilles heal. Using this power, Captain Zero battles crime and the underworld.
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Published by Popular Publications starting in 1949, lasting three issues at the tail end of the pulp fiction magazine era. All three Captain Zero stories were written by G.T. Fleming-Roberts (1910 – 1968)
1949
Civil War Storiesadd_circle_outline
1940
Cluesadd_circle_outline
1935
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Complete Northwest Novelsadd_circle_outline
1935
Complete Sportsadd_circle_outline
Complete Storiesadd_circle_outline
1936
Complete War Novelsadd_circle_outline
1943
Cowboy Storiesadd_circle_outline
1935
Crack Detectiveadd_circle_outline
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Crime Bustersadd_circle_outline
1938
Dare-Devil Acesadd_circle_outline
1935
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Detective Bookadd_circle_outline
1848-49
Detective Fiction Weeklyadd_circle_outline
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Detective Mystery Noveladd_circle_outline
Detective Noveladd_circle_outline
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Detective Short Storiesadd_circle_outline
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Detective Storyadd_circle_outline
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Detective Talesadd_circle_outline
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Detective Weekly (UK)add_circle_outline
1939
Dime Detectiveadd_circle_outline
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Dime Mysteryadd_circle_outline
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Dime Sportsadd_circle_outline
1944
Dime Westernadd_circle_outline
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Dixon Hawkeadd_circle_outline
The other, other “Great Detective”, Dixon Hawke (although fans would say Hawke was a better read than Sexton Blake) appeared in The Dixon Hawke Library in 1919, which ran 576 issues till 1941. His adventures also appeared in the subsequent Dixon Hawke Case Books, plus the weekly paper, “Adventure” and in the Sunday Post. The library issues were smaller than pocket libraries. — Taken from comicbookplus.com
1940
1941
Dusty Ayres and his Battle Birdsadd_circle_outline
Dynamic Science Fictionadd_circle_outline
Dynamic Science Storiesadd_circle_outline
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
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Although science fiction had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the 1930s the field was booming.[ In 1938 Abraham and Martin Goodman, two brothers who owned a publishing company with multiple imprints, launched Marvel Science Stories, edited by Robert O. Erisman. In February of the following year they added Dynamic Science Stories as a companion magazine intended to run longer stories. The contents were typical pulp science fiction, with few memorable stories. Science fiction historians Joseph Marchesani and Mike Ashley identify only three stories of quality: Nelson S. Bond’s “The Message from the Void” (published under the pseudonym “Hubert Mavity”); L. Sprague de Camp’s “Ananias”; and Manly Wade Wellman’s “Insight”.
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The cover for the first issue was painted by Frank R. Paul, a popular cover artist recently returned to the science fiction field; Norman Saunders provided the second cover. Dynamic’s sister magazine, Marvel Science Stories, often published stories with more sexual content than was usual for science fiction magazines of the day, but, although Dynamic’s advertising included books offering sexual advice, the magazine’s actual content was more traditional pulp material. The magazine only lasted two issues, though it is not known whether this was because of poor sales or if the cancellation was “a reflection of the whim of the publisher”, in Ashley’s words.
Eerie Mysteriesadd_circle_outline
1939
Eerie Storiesadd_circle_outline
1937
Exciting Detectiveadd_circle_outline
1940
Exciting Footballadd_circle_outline
1950
Exciting Sportsadd_circle_outline
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Exciting Westernadd_circle_outline
1946
F.B.I. Detective Storiesadd_circle_outline
Famous Detective Storiesadd_circle_outline
Fantastic Adventuresadd_circle_outline
1941
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Fifteen Range Romancesadd_circle_outline
1954
Fifteen Sports Storiesadd_circle_outline
1949
Fifteen Western Talesadd_circle_outline
Fight Storiesadd_circle_outline
1928
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Fighting Acesadd_circle_outline
1943
Five Novels Magazineadd_circle_outline
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Flying Acesadd_circle_outline
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Flying Storiesadd_circle_outline
1929
Football Storiesadd_circle_outline
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Foreign Legion Adventuresadd_circle_outline
1940
Future Fictionadd_circle_outline
G-8 and His Battle Acesadd_circle_outline
1943
G-Menadd_circle_outline
1939
G-Men Detectiveadd_circle_outline
1943
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Gang Worldadd_circle_outline
1931
Gem Detectiveadd_circle_outline
1946
Ghost Detectiveadd_circle_outline
1940
Ghost Super-Detectiveadd_circle_outline
The Ghost Super-Detective was created in the early ’40s by Fleming-Roberts, when Thrilling were coming out with more pulp heroes. He is the only one that Norman Daniels didn’t have a hand in. And, confusingly, we have another Green Ghost (created earlier by Johnston McCulley that I’ve covered before), and this character has gone through several name changes, as evident by the changes in magazine titles.
Overall, the character had 14 original stories from 1940-44. He first starred in his own pulp magazine in 1940, titled The Ghost-Super Detective for three issues. It was renamed to The Ghost Detective for one issue, then The Green Ghost Detective for three issues. He then moved to Thrilling Mystery where he was again known as just “The Ghost” for six stories. A final story appeared in Thrilling Detective, where he was renamed “George Hazzard” and all mention of being The Green Ghost was dropped, which was a common fate for many of Thrilling’s later pulp heroes.
The Green Ghost, which is what most pulp fans call him, was really magician George Chance. This was interesting, because Fleming-Roberts had recently done a series of stories about a magician-turned-detective named Diamondstone! Similar to some other Thrilling heroes, Chance gets involved helping the police with tough cases, putting to use his skills as a magician, and finds he enjoys it. So he’s more a semi-official vigilante, than one who operates totally outside the law.
“The Ghost Super-Detective” (Spring 1940)Chance disguises himself as the mysterious “Green Ghost,” using makeup to give him a ghoulish appearance. He is aided by several others. There is his assistant, Glenn Saunders, who looks just like him. This is useful to throw people off from thinking Chance is The Ghost. There is his love interest, Merry White, who often gets in trouble. Tiny Tim Terry is a midget and friend of George’s; and Joe Harper is another member of his staff who helps out. There is also the Police Commissioner Standish who also knows who The Ghost really is, along with the medical examiner, Robert Demarest.
–Taken from thepulp.net
Gold Seal Detectiveadd_circle_outline
1936
Guilty Detective Storiesadd_circle_outline
1958
Hollywood Detectiveadd_circle_outline
1946
Hooded Detectiveadd_circle_outline
1942
Horror Storiesadd_circle_outline
1937
Imaginative Talesadd_circle_outline
Jungle Storiesadd_circle_outline
1943-44
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Lariatadd_circle_outline
1947
Liberty Magazineadd_circle_outline
Liberty was an American weekly, general-interest magazine, originally priced at five cents and subtitled, “A Weekly for Everybody.” It was launched in 1924 by McCormick-Patterson, the publisher until 1931, when it was taken over by Bernarr Macfadden until 1941. It featured contributions from some of the biggest politicians, celebrities, authors, and artists of the 20th-century. The contents of the magazine provide a unique look into popular culture, politics, and world events through the Roaring 20s, Great Depression, World War II, and Post-War America. It ceased publication in 1950 and was revived briefly in 1971.
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Liberty Magazine was founded in 1924 by cousins Colonel Robert Rutherford McCormick and Captain Joseph Medill Patterson, owners and editors of the Chicago Tribune and New York Daily News respectively. In 1924, the owners held a nationwide contest to name the magazine offering $20,000 dollars ($300,000 in current dollar terms) to the winning entry. Among tens of thousands of entries, Charles L. Well won with his title Liberty “A Weekly for Everybody.”
The publication was constantly losing money under the family duo, though achieving high circulation. It is believed to have lost McCormick and Patterson as much as $12 million over the course of their ownership, and as a result, it was sold to Bernarr McFadden in 1931.
Under McFadden’s early leadership, the magazine was a strong proponent of Franklin D. Roosevelt, and an article proclaiming him to be physically fit to hold office may have held substantial sway in the outcome of the election. McFadden led the magazine to considerable success, until it was discovered in 1941 that he had been falsifying circulation reports by as many as 20,000 copies to increase advertising revenue. John Cuneo and Kimberly-Clark Paper company took over for McFadden in 1941 and righted the indiscretions, but ad revenues never recovered.
Following the lead of The Saturday Evening Post, in 1942 Liberty increased its price from five to ten cents, resulting in a drop in sales, down to 1.4 million, and advertising dollars. In 1944, the magazine was passed on to Paul Hunter, and until its final publication in 1950, a number of different owners would try to revive its former popularity, to no avail. A Canadian edition was published under a series of different ownerships, among them sports entrepreneur Jack Kent Cooke, through the mid-1960s.
In 1968, Dr. Seuss sued Liberty over a copyright dispute regarding cartoons he had sold to the magazine in 1932. Unlike most publications at the time, Liberty typically bought not only first serial rights, but all publishing and distribution rights to the work of their contributors. Liberty won the case, and their copyrights were solidly established by a landmark ruling in copyright law.
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Lone Eagleadd_circle_outline
1939
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Love Story Magazineadd_circle_outline
1931
Mammoth Adventureadd_circle_outline
1947
Mammoth Detectiveadd_circle_outline
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Mammoth Mysteryadd_circle_outline
1945
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Mammoth Westernadd_circle_outline
1948
Manhuntadd_circle_outline
Marvel Science Storiesadd_circle_outline
1939
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Marvel Storiesadd_circle_outline
1940
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Marvel Talesadd_circle_outline
1939
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Masked Detectiveadd_circle_outline
1941
Masked Rider Westernadd_circle_outline
1945
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Max Brand’s Western Magazineadd_circle_outline
1950
Miracleadd_circle_outline
1934
Modern Mechanixadd_circle_outline
Mysteryadd_circle_outline
Mystery Book Magazineadd_circle_outline
1948
Mystery Magazineadd_circle_outline
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Mystery Talesadd_circle_outline
1938
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Nebulaadd_circle_outline
1956
New Detectiveadd_circle_outline
1944
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New Loveadd_circle_outline
1943
New Sportsadd_circle_outline
New Worldsadd_circle_outline
1947
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North•West Romancesadd_circle_outline
1938
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Passing Show, Theadd_circle_outline
1936
Pete Rice Western Adventuresadd_circle_outline
1936
Phantom Detectiveadd_circle_outline
The Phantom Detective was the second pulp hero magazine published, after The Shadow. The first issue was released in February 1933, a month before Doc Savage, which was released in March 1933. The title continued to be released until 1953, with a total 170 issues. This is the third highest number of issues for a character pulp, after The Shadow, which had 325 issues, and Doc Savage, which had 181. In western titles, Texas Rangers would have around 212 issues of their main character, known as the Lone Wolf.
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The Phantom (as he was called in the stories) is actually the wealthy Richard Curtis Van Loan. In the first few issues of the title, the Phantom is introduced as a world-famous detective, whose true identity is only known by one man—Frank Havens, the publisher of the Clarion newspaper. Richard Curtis Van Loan is orphaned at an early age, but inherits wealth. Before World War I, he leads the life of an idle playboy, but during the war he becomes a pilot and downs many German planes.
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After the war, Van Loan has a difficult time returning to his old life. At the suggestion of his father’s friend, Havens, he sets out to solve a crime that had stumped the police. After solving it, he decides he has found his calling.
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He trains himself in all facets of detection and forensics, and becomes a master of disguise and escape. He makes a name for himself as the Phantom, whom all police agencies around the world know and respect. When dealing with law enforcement officials he carries a platinum badge in the shape of a domino mask as proof of his true identity. The initial stories were less about a detective than an adventurer using disguise and lucky escapes to conclude his cases. –Taken from Wikipedia
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Planet Storiesadd_circle_outline
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick’s first sale, and printed four more of his stories over the next three years.
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The two writers most identified with Planet Stories are Leigh Brackett and Ray Bradbury, both of whom set many of their stories on a romanticized version of Mars that owed much to the depiction of Barsoom in the works of Edgar Rice Burroughs. Bradbury’s work for Planet included an early story in his Martian Chronicles sequence. Brackett’s best-known work for the magazine was a series of adventures featuring Eric John Stark, which began in the summer of 1949. Brackett and Bradbury collaborated on one story, “Lorelei of the Red Mist”, which appeared in 1946; it was generally well-received, although one letter to the magazine complained that the story’s treatment of sex, though mild by modern standards, was too explicit. The artwork also emphasized attractive women, with a scantily clad damsel in distress or alien princess on almost every cover.
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In recent years, Paizo Publishing revived the brand as an imprint for science fiction and fantasy books they published.
— Taken from Wikipedia
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Pocket Detectiveadd_circle_outline
1950
Popular Detectiveadd_circle_outline
1936
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Popular Magazineadd_circle_outline
1928
Popular Westernadd_circle_outline
1940
Private Detective Storiesadd_circle_outline
1937
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RAF Acesadd_circle_outline
1941
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Railroad Magazineadd_circle_outline
1941
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Railroad Man’s Magazineadd_circle_outline
1930
Railroad Storiesadd_circle_outline
1933
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1947
Ranch Romancesadd_circle_outline
1941
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Range Riders Westernadd_circle_outline
1951
Rangeland Romancesadd_circle_outline
1935
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Rio Kid Western, Theadd_circle_outline
1943
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Rocket Storiesadd_circle_outline
Rocket Stories is a short lived American pulp magazine published by Space Publications based in New York. It only ran for three issues in 1953. It was edited by the writer Lester Del Rey (Marooned on Mars) for the first two issues and by the writer Harry Harrison (Stainless Steel Rat) for the last.
Rocket Stories was a companion magazine to Fantasy Fiction, Space Science Fiction and Science Fiction Adventures. All four magazines were closed down when the publisher lost interest.
Romantic Westernadd_circle_outline
Science Fictionadd_circle_outline
1939
1941
Science Fiction Quarterlyadd_circle_outline
1942
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Scoopsadd_circle_outline
Scoops is considered the first British S.F. magazine, although, at the time it was sometimes referred to as a comic. Published by Pearson, London. This is a rare title nowadays and of great interest is that, “The Poison Belt” by Sir Arthur Conan Doyle is serialised from #13. The scans are from old tired, copies and the text might be difficult to read in places but the illustrations are excellent. 1 is missing page 2 and the cover is from the internet.— Taken from comicbookplus.com
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1934
Sexton Blake Libraryadd_circle_outline
Sexton Blake is a fictional character, a detective who has been featured in many British comic strips, novels and dramatic productions since 1893. Sexton Blake adventures were featured in a wide variety of British and international publications (in many languages) from 1893 to 1978, comprising more than 4,000 stories by some 200 different authors. Blake was also the hero of numerous silent and sound movies, radio serials, and a 1960s television series.
The first issue of The Sexton Blake Library was published on 20 September 1915, entitled “The Yellow Tiger” and written by G. H. Teed. This issue introduced villains Wu Ling and Baron de Beauremon in an eleven chapter story, costing 3d (1.25p). The story is 107 pages; a second story, “The Great Cup-Tie!” (not featuring Blake) completes the remainder of the issue’s 120 pages. The second issue, “Ill Gotten Gains (The Secret of Salcoth Island)”, had Blake fight Count Carlac and Professor Kew. Issue three was entitled “The Shadow of his Crime” and issue four “The Rajah’s Revenge”. The last edition, “Down Among The Ad Men” written by W. A Ballinger (Wilfred McNeilly), was published in October 1968. Some additional Sexton Blake books were published during 1968 and 1969 that were not labelled explicitly as part of the Sexton Blake Library.
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Shockadd_circle_outline
Sky Acesadd_circle_outline
1938
1939
Sky Devilsadd_circle_outline
1938
Sky Fightersadd_circle_outline
1932
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1945
Sky Raidersadd_circle_outline
1940
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1943
Smash Detective Storiesadd_circle_outline
1953
Speed Adventuresadd_circle_outline
1944
Speed Detectiveadd_circle_outline
1944
1945
Spicy Adventure Storiesadd_circle_outline
1937
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Spicy Detectiveadd_circle_outline
1941
Spicy Mysteryadd_circle_outline
Spicy Westernadd_circle_outline
1939
1941
Sports Fictionadd_circle_outline
1947
Sports Novels Magazineadd_circle_outline
1948
1949
Star Detectiveadd_circle_outline
1938
Star Westernadd_circle_outline
1953
Startling Detective Adventuresadd_circle_outline
1936
Startling Storiesadd_circle_outline
1939
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Strange Detective Mysteriesadd_circle_outline
Strange Storiesadd_circle_outline
1939
Super Detectiveadd_circle_outline
1942
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Super Detective Library (UK)add_circle_outline
1935
Super Science Novelsadd_circle_outline
1941
Super Science Storiesadd_circle_outline
1943
1951
Super Sportsadd_circle_outline
Super-Science Fictionadd_circle_outline
1956
Super-Science Fictionadd_circle_outline
1956
1957
Sure Fire Westernadd_circle_outline
1937
Ten Detective Acesadd_circle_outline
1935
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1949
Terence X. O’Leary’s War Birdsadd_circle_outline
1935
Terror Talesadd_circle_outline
1936
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Texas Rangersadd_circle_outline
1938
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Thriller, Theadd_circle_outline
British weekly “pulp” featuring well written and illustrated, fast moving and atmospheric crime and mystery stories. Some well known authors and characters appeared in The Thriller incl. The Saint, Shadow, Blackshirt, Mr. Preed, J.G. Reeder. Writers incl. Charteris, Horler, Douthwaite, Edmund Snell, GH Teed, Barry Perowne, John G. Brandon, Anthony Skene. The covers were often excellent, especially those by Arthur Jones – atmospheric, dangerous and exciting. — Taken form comicbookplus.com
1929
Thrilling Adventuresadd_circle_outline
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Thrilling Detectiveadd_circle_outline
1932
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Thrilling Footballadd_circle_outline
1945
Thrilling Loveadd_circle_outline
1941
Thrilling Mysteryadd_circle_outline
1939
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Thrilling Mystery Noveladd_circle_outline
1946
Thrilling Sportsadd_circle_outline
1946
1948
Thrilling Spy Storiesadd_circle_outline
1940
Thrilling Westernadd_circle_outline
1935
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Thrilling Wonder Storiesadd_circle_outline
1938
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Timely Detective Casesadd_circle_outline
1944
Top-Notchadd_circle_outline
1934
Triple Detectiveadd_circle_outline
1955
Triple-Xadd_circle_outline
1929
True Detectiveadd_circle_outline
1926
1929
1930
True Experienceadd_circle_outline
1934
True Gangster Storiesadd_circle_outline
1942
Two Complete Detective Booksadd_circle_outline
1943
1944
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1951
Two Complete Science-Adventureadd_circle_outline
Two Gun Western Novelsadd_circle_outline
1942
Uncanny Storiesadd_circle_outline
1941
Vargo Stattenadd_circle_outline
1954
Variety Detectiveadd_circle_outline
1938
Walt Coburn’s Western Magazineadd_circle_outline
Walt Coburn (1889–1971) was an American writer of Westerns. Coburn was born in White Sulphur Springs, Montana Territory, the son of Robert Coburn Senior, the founder of the noted Circle C Ranch.
Coburn served in the military in the First World War. He later spent time as a cowboy and a surveyor, before becoming a full-time writer in the 1920s.
Coburn began his career with Western stories in general fiction pulp magazines such as Adventure and Argosy. Later Coburn moved on to pulps specializing in Westerns, including Western Story Magazine, Lariat Story Magazine, Ace-High Western and Frontier Stories. He often wrote for the Fiction House pulp magazines, which promoted Coburn as “the Cowboy Author”.
Coburn was enormously prolific; Flanagan states Coburn wrote almost two million words of fiction over a thirty year period. Coburn at his most prolific, averaged over 600,000 published words per year. He was so popular that eventually, two pulp magazines – Walt Coburn’s Western Magazine and Walt Coburn’s Action Novels were issued, consisting mainly of reprints of Coburn’s work.
After the pulps ended in the 1950s, Coburn switched his focus to writing paperback originals.
Coburn was a devout Christian. Coburn claimed, in his posthumously published autobiography Western Word Wrangler (1973) that God had chosen him to spread the Christian message through his fiction.
Coburn committed suicide at age 82 in Prescott, Arizona.
1950
War Birdsadd_circle_outline
1932
1934
Weird Talesadd_circle_outline
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18.The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright’s control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright’s control the magazine lived up to its subtitle, “The Unique Magazine”, and published a wide range of unusual fiction.
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Lovecraft’s Cthulhu mythos stories first appeared in Weird Tales, starting with “The Call of Cthulhu” in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn’s series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.
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In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998.
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The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it “the most important and influential of all fantasy magazines”. Weinberg’s fellow historian, Mike Ashley, is more cautious, describing it as “second only to Unknown in significance and influence”, adding that “somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales”.
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1938
Westadd_circle_outline
1945
Western Action Novelsadd_circle_outline
1937
1957
Western Storyadd_circle_outline
1939
Western Trailsadd_circle_outline
1938
1947
Wild West Weeklyadd_circle_outline
1937
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Wingsadd_circle_outline
1937
1943
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1952
Women in Crimeadd_circle_outline
1948
Zane Grey’s Western Magazineadd_circle_outline
.44 Westernadd_circle_outline
1940
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1954
10 Story Detectiveadd_circle_outline
1941
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1949
10 Story Westernadd_circle_outline
1943
1945
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1953
12 Sports Acesadd_circle_outline
1943
5 Detective Novelsadd_circle_outline
1950
1951
A. Merritt’s Fantasyadd_circle_outline
1949
1950
Ace G-Manadd_circle_outline
Ace-High Western Storiesadd_circle_outline
Acesadd_circle_outline
1931
Action Storiesadd_circle_outline
1926
1932
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1939
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Adventureadd_circle_outline
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an offshoot of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine’s first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927. –Taken from Wikipedia
1916
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Air Actionadd_circle_outline
1940
Air Adventuresadd_circle_outline
1939
Air Storiesadd_circle_outline
1928
1938
Air Stories UKadd_circle_outline
Air Waradd_circle_outline
1942
1943
All-American Fictionadd_circle_outline
1937
All-American Football Magazineadd_circle_outline
1943
All-Story Detectiveadd_circle_outline
1949
Amazing Storiesadd_circle_outline
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback’s Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
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1928
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American Detectiveadd_circle_outline
1936
American Eagleadd_circle_outline
1942
1947
American Magazineadd_circle_outline
American Sky Devilsadd_circle_outline
1942
Argosyadd_circle_outline
1932
1942
Army Navy Flying Storiesadd_circle_outline
1943
Astonishing Storiesadd_circle_outline
1943
Astounding Science Fictionadd_circle_outline
1941
Astounding Science Fiction UKadd_circle_outline
1940
Authentic Science Fictionadd_circle_outline
Authentic Science Fiction was a British science fiction magazine published in the 1950s.
At this time, science fiction magazines had been published successfully in North America for over twenty years, but little progress had been made in establishing British equivalents. The bulk of British sci-fi was published as paperback books, rather than magazines; a situation opposite of that in the US.
Since 1939, Atlas, a British publisher, had been producing a reprint edition of Astounding Science Fiction, one of the most well-regarded American sf magazines. During the war the contents had often been cut severely, and the schedule had not been regular, but it was reputed to sell 40,000 copies a month. This was enough to attract the attention of Hamilton & Co., a British publisher looking for new markets.
In 1949, Hamilton hired Gordon Landsborough as an editor. Landsborough did his best to improve the quality of the science fiction he was publishing, and was allowed to offer £1 per 1,000 words for selected material. He also was joined at Hamilton by H.J. Campbell, who was hired as a technical editor. Campbell was a London science fiction fan; he had been brought on by Hulton Press (publisher of the very successful comic the Eagle) to create a science fiction magazine, but the project had been abandoned before seeing print.
Out of this came Authentic Science Fiction, which in various incarnations, ran for 85 issues. source:wikipedia.
Baseball Storiesadd_circle_outline
1945
Battle Birdsadd_circle_outline
1942
Best Sports Storiesadd_circle_outline
1951
Big Book Detectiveadd_circle_outline
1942
Big Book Western Magazineadd_circle_outline
1940
Bill Barnes / Air Trailsadd_circle_outline
1934
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1939
Black Book Detectiveadd_circle_outline
1939
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Black Maskadd_circle_outline
1932
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1951
Captain Futureadd_circle_outline
Captain Future is a science fiction hero – a space-traveling scientist and adventurer – originally published in a namesake pulp magazine from 1940 to 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works. Most significant was a 1978-79 Japanese anime (キャプテン・フューチャー), which was dubbed into several languages and proved very popular, particularly in Spanish, French, German and Arabic.
The stories were published in the pulp magazines from 1940 to 1951, featuring bright-colored cover illustrations by Earle K. Bergey and two other fellow pulp artists. The adventures mostly appeared in Captain Future’s own magazine but later stories appeared in Startling Stories. Captain Future is Curtis Newton, a brilliant scientist and adventurer who roams the solar system solving problems, righting wrongs, and vanquishing futuristic supervillains…
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The series contains a number of assumptions about the solar system which are outlandish by modern standards but which still seemed plausible, at least to the general public, in the time the stories were written. All of the planets of the solar system, and many of the moons and asteroids, are suitable for life, and most are already occupied by humanoid extraterrestrial races. The initial adventures take place in the planets of the solar system but later stories (after the character invents the “vibration drive”) take the hero to other stars, other dimensions and even the distant past and almost to the end of the Universe. For example, they visit the star Deneb, which is the origin of Earth humans, as well as many other humanoid races across the Solar System and beyond.
1940
1944
Captain Hazzardadd_circle_outline
Originally published in May of 1938, Captain Hazzard was a one shot issue magazine intended to be published bi-monthly by Magazine Publishers under the Ace Magazine imprint. Hazzard was a clone of Street and Smith’s extremely popular Doc Savage. While Doc was raised in an environment created to make him the optimal human being. Hazzard was an orphan who had lost his sight for 15 years. During his time of blindness Hazzard “developed his mental powers far beyond those of the average person” including the ability to communicate with others telepathically. In a typical pulp hero fashion after his vision returns he studies Oriental mysticism, becomes a mechanical genius, creates a research facility: Hazzard Labs, and collects other scientists and adventures to help him battle the forces of evil.
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Like Doc Savage Capt. Hazzard has a unique eye color that changes based on the the situation, fluctuating between gray and a steely blue. The character of Captain Hazzard fell into public domain several years ago. The original story Python Men of Lost City has been reprinted and rewritten by Ron Fortier and four new stories have been published. Captain Hazzard: Custer’s Ghost, Captain Hazzard: Cavemen of New York, Captain Hazzard: Citadel of Fear, and Captain Hazzard: Curse of the Red Maggot.
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While the author of the original magazine story is credited to a pseudonym Chester Hawks, the true author remains unknown.
1938
Captain Satanadd_circle_outline
Captain Zeroadd_circle_outline
Captain Zero as a crime fighting pulp hero. Lee Allyn is cursed with a mysterious capability of becoming invisible at the stroke of midnight and re-appears at dawn. Only his eyes are visible providing an achilles heal. Using this power, Captain Zero battles crime and the underworld.
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Published by Popular Publications starting in 1949, lasting three issues at the tail end of the pulp fiction magazine era. All three Captain Zero stories were written by G.T. Fleming-Roberts (1910 – 1968)
1949
Civil War Storiesadd_circle_outline
1940
Cluesadd_circle_outline
1935
1936
Complete Northwest Novelsadd_circle_outline
1935
Complete Sportsadd_circle_outline
Complete Storiesadd_circle_outline
1936
Complete War Novelsadd_circle_outline
1943
Cowboy Storiesadd_circle_outline
1935
Crack Detectiveadd_circle_outline
1943
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1949
Crime Bustersadd_circle_outline
1938
Dare-Devil Acesadd_circle_outline
1935
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1937
1946
Detective Bookadd_circle_outline
1848-49
Detective Fiction Weeklyadd_circle_outline
1931
1935
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Detective Mystery Noveladd_circle_outline
Detective Noveladd_circle_outline
1946
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Detective Short Storiesadd_circle_outline
1938
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Detective Storyadd_circle_outline
1939
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Detective Talesadd_circle_outline
1935
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Detective Weekly (UK)add_circle_outline
1939
Dime Detectiveadd_circle_outline
1933
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Dime Mysteryadd_circle_outline
1933
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Dime Sportsadd_circle_outline
1944
Dime Westernadd_circle_outline
1948
1950
Dixon Hawkeadd_circle_outline
The other, other “Great Detective”, Dixon Hawke (although fans would say Hawke was a better read than Sexton Blake) appeared in The Dixon Hawke Library in 1919, which ran 576 issues till 1941. His adventures also appeared in the subsequent Dixon Hawke Case Books, plus the weekly paper, “Adventure” and in the Sunday Post. The library issues were smaller than pocket libraries. — Taken from comicbookplus.com
1940
1941
Dusty Ayres and his Battle Birdsadd_circle_outline
Dynamic Science Fictionadd_circle_outline
Dynamic Science Storiesadd_circle_outline
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
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Although science fiction had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the 1930s the field was booming.[ In 1938 Abraham and Martin Goodman, two brothers who owned a publishing company with multiple imprints, launched Marvel Science Stories, edited by Robert O. Erisman. In February of the following year they added Dynamic Science Stories as a companion magazine intended to run longer stories. The contents were typical pulp science fiction, with few memorable stories. Science fiction historians Joseph Marchesani and Mike Ashley identify only three stories of quality: Nelson S. Bond’s “The Message from the Void” (published under the pseudonym “Hubert Mavity”); L. Sprague de Camp’s “Ananias”; and Manly Wade Wellman’s “Insight”.
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The cover for the first issue was painted by Frank R. Paul, a popular cover artist recently returned to the science fiction field; Norman Saunders provided the second cover. Dynamic’s sister magazine, Marvel Science Stories, often published stories with more sexual content than was usual for science fiction magazines of the day, but, although Dynamic’s advertising included books offering sexual advice, the magazine’s actual content was more traditional pulp material. The magazine only lasted two issues, though it is not known whether this was because of poor sales or if the cancellation was “a reflection of the whim of the publisher”, in Ashley’s words.
Eerie Mysteriesadd_circle_outline
1939
Eerie Storiesadd_circle_outline
1937
Exciting Detectiveadd_circle_outline
1940
Exciting Footballadd_circle_outline
1950
Exciting Sportsadd_circle_outline
1941
1946
Exciting Westernadd_circle_outline
1946
F.B.I. Detective Storiesadd_circle_outline
Famous Detective Storiesadd_circle_outline
Fantastic Adventuresadd_circle_outline
1941
1943
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1948
Fifteen Range Romancesadd_circle_outline
1954
Fifteen Sports Storiesadd_circle_outline
1949
Fifteen Western Talesadd_circle_outline
Fight Storiesadd_circle_outline
1928
1930
1931
1949
Fighting Acesadd_circle_outline
1943
Five Novels Magazineadd_circle_outline
1943
1946
Flying Acesadd_circle_outline
1935
1936
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1940
Flying Storiesadd_circle_outline
1929
Football Storiesadd_circle_outline
1937
1938
Foreign Legion Adventuresadd_circle_outline
1940
Future Fictionadd_circle_outline
G-8 and His Battle Acesadd_circle_outline
1943
G-Menadd_circle_outline
1939
G-Men Detectiveadd_circle_outline
1943
1947
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1952
Gang Worldadd_circle_outline
1931
Gem Detectiveadd_circle_outline
1946
Ghost Detectiveadd_circle_outline
1940
Ghost Super-Detectiveadd_circle_outline
The Ghost Super-Detective was created in the early ’40s by Fleming-Roberts, when Thrilling were coming out with more pulp heroes. He is the only one that Norman Daniels didn’t have a hand in. And, confusingly, we have another Green Ghost (created earlier by Johnston McCulley that I’ve covered before), and this character has gone through several name changes, as evident by the changes in magazine titles.
Overall, the character had 14 original stories from 1940-44. He first starred in his own pulp magazine in 1940, titled The Ghost-Super Detective for three issues. It was renamed to The Ghost Detective for one issue, then The Green Ghost Detective for three issues. He then moved to Thrilling Mystery where he was again known as just “The Ghost” for six stories. A final story appeared in Thrilling Detective, where he was renamed “George Hazzard” and all mention of being The Green Ghost was dropped, which was a common fate for many of Thrilling’s later pulp heroes.
The Green Ghost, which is what most pulp fans call him, was really magician George Chance. This was interesting, because Fleming-Roberts had recently done a series of stories about a magician-turned-detective named Diamondstone! Similar to some other Thrilling heroes, Chance gets involved helping the police with tough cases, putting to use his skills as a magician, and finds he enjoys it. So he’s more a semi-official vigilante, than one who operates totally outside the law.
“The Ghost Super-Detective” (Spring 1940)Chance disguises himself as the mysterious “Green Ghost,” using makeup to give him a ghoulish appearance. He is aided by several others. There is his assistant, Glenn Saunders, who looks just like him. This is useful to throw people off from thinking Chance is The Ghost. There is his love interest, Merry White, who often gets in trouble. Tiny Tim Terry is a midget and friend of George’s; and Joe Harper is another member of his staff who helps out. There is also the Police Commissioner Standish who also knows who The Ghost really is, along with the medical examiner, Robert Demarest.
–Taken from thepulp.net
Gold Seal Detectiveadd_circle_outline
1936
Guilty Detective Storiesadd_circle_outline
1958
Hollywood Detectiveadd_circle_outline
1946
Hooded Detectiveadd_circle_outline
1942
Horror Storiesadd_circle_outline
1937
Imaginative Talesadd_circle_outline
Jungle Storiesadd_circle_outline
1943-44
1947
1948
Lariatadd_circle_outline
1947
Liberty Magazineadd_circle_outline
Liberty was an American weekly, general-interest magazine, originally priced at five cents and subtitled, “A Weekly for Everybody.” It was launched in 1924 by McCormick-Patterson, the publisher until 1931, when it was taken over by Bernarr Macfadden until 1941. It featured contributions from some of the biggest politicians, celebrities, authors, and artists of the 20th-century. The contents of the magazine provide a unique look into popular culture, politics, and world events through the Roaring 20s, Great Depression, World War II, and Post-War America. It ceased publication in 1950 and was revived briefly in 1971.
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Liberty Magazine was founded in 1924 by cousins Colonel Robert Rutherford McCormick and Captain Joseph Medill Patterson, owners and editors of the Chicago Tribune and New York Daily News respectively. In 1924, the owners held a nationwide contest to name the magazine offering $20,000 dollars ($300,000 in current dollar terms) to the winning entry. Among tens of thousands of entries, Charles L. Well won with his title Liberty “A Weekly for Everybody.”
The publication was constantly losing money under the family duo, though achieving high circulation. It is believed to have lost McCormick and Patterson as much as $12 million over the course of their ownership, and as a result, it was sold to Bernarr McFadden in 1931.
Under McFadden’s early leadership, the magazine was a strong proponent of Franklin D. Roosevelt, and an article proclaiming him to be physically fit to hold office may have held substantial sway in the outcome of the election. McFadden led the magazine to considerable success, until it was discovered in 1941 that he had been falsifying circulation reports by as many as 20,000 copies to increase advertising revenue. John Cuneo and Kimberly-Clark Paper company took over for McFadden in 1941 and righted the indiscretions, but ad revenues never recovered.
Following the lead of The Saturday Evening Post, in 1942 Liberty increased its price from five to ten cents, resulting in a drop in sales, down to 1.4 million, and advertising dollars. In 1944, the magazine was passed on to Paul Hunter, and until its final publication in 1950, a number of different owners would try to revive its former popularity, to no avail. A Canadian edition was published under a series of different ownerships, among them sports entrepreneur Jack Kent Cooke, through the mid-1960s.
In 1968, Dr. Seuss sued Liberty over a copyright dispute regarding cartoons he had sold to the magazine in 1932. Unlike most publications at the time, Liberty typically bought not only first serial rights, but all publishing and distribution rights to the work of their contributors. Liberty won the case, and their copyrights were solidly established by a landmark ruling in copyright law.
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1943
Lone Eagleadd_circle_outline
1939
1940
Love Story Magazineadd_circle_outline
1931
Mammoth Adventureadd_circle_outline
1947
Mammoth Detectiveadd_circle_outline
1945
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Mammoth Mysteryadd_circle_outline
1945
1947
Mammoth Westernadd_circle_outline
1948
Manhuntadd_circle_outline
Marvel Science Storiesadd_circle_outline
1939
1950
Marvel Storiesadd_circle_outline
1940
1941
Marvel Talesadd_circle_outline
1939
1940
Masked Detectiveadd_circle_outline
1941
Masked Rider Westernadd_circle_outline
1945
1947
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1950
Max Brand’s Western Magazineadd_circle_outline
1950
Miracleadd_circle_outline
1934
Modern Mechanixadd_circle_outline
Mysteryadd_circle_outline
Mystery Book Magazineadd_circle_outline
1948
Mystery Magazineadd_circle_outline
1941
1942
Mystery Talesadd_circle_outline
1938
1940
Nebulaadd_circle_outline
1956
New Detectiveadd_circle_outline
1944
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New Loveadd_circle_outline
1943
New Sportsadd_circle_outline
New Worldsadd_circle_outline
1947
1950
North•West Romancesadd_circle_outline
1938
1942
1943
1949
Passing Show, Theadd_circle_outline
1936
Pete Rice Western Adventuresadd_circle_outline
1936
Phantom Detectiveadd_circle_outline
The Phantom Detective was the second pulp hero magazine published, after The Shadow. The first issue was released in February 1933, a month before Doc Savage, which was released in March 1933. The title continued to be released until 1953, with a total 170 issues. This is the third highest number of issues for a character pulp, after The Shadow, which had 325 issues, and Doc Savage, which had 181. In western titles, Texas Rangers would have around 212 issues of their main character, known as the Lone Wolf.
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The Phantom (as he was called in the stories) is actually the wealthy Richard Curtis Van Loan. In the first few issues of the title, the Phantom is introduced as a world-famous detective, whose true identity is only known by one man—Frank Havens, the publisher of the Clarion newspaper. Richard Curtis Van Loan is orphaned at an early age, but inherits wealth. Before World War I, he leads the life of an idle playboy, but during the war he becomes a pilot and downs many German planes.
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After the war, Van Loan has a difficult time returning to his old life. At the suggestion of his father’s friend, Havens, he sets out to solve a crime that had stumped the police. After solving it, he decides he has found his calling.
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He trains himself in all facets of detection and forensics, and becomes a master of disguise and escape. He makes a name for himself as the Phantom, whom all police agencies around the world know and respect. When dealing with law enforcement officials he carries a platinum badge in the shape of a domino mask as proof of his true identity. The initial stories were less about a detective than an adventurer using disguise and lucky escapes to conclude his cases. –Taken from Wikipedia
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Planet Storiesadd_circle_outline
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick’s first sale, and printed four more of his stories over the next three years.
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The two writers most identified with Planet Stories are Leigh Brackett and Ray Bradbury, both of whom set many of their stories on a romanticized version of Mars that owed much to the depiction of Barsoom in the works of Edgar Rice Burroughs. Bradbury’s work for Planet included an early story in his Martian Chronicles sequence. Brackett’s best-known work for the magazine was a series of adventures featuring Eric John Stark, which began in the summer of 1949. Brackett and Bradbury collaborated on one story, “Lorelei of the Red Mist”, which appeared in 1946; it was generally well-received, although one letter to the magazine complained that the story’s treatment of sex, though mild by modern standards, was too explicit. The artwork also emphasized attractive women, with a scantily clad damsel in distress or alien princess on almost every cover.
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In recent years, Paizo Publishing revived the brand as an imprint for science fiction and fantasy books they published.
— Taken from Wikipedia
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Pocket Detectiveadd_circle_outline
1950
Popular Detectiveadd_circle_outline
1936
1937
1938
1943
1948
1951
1953
Popular Magazineadd_circle_outline
1928
Popular Westernadd_circle_outline
1940
Private Detective Storiesadd_circle_outline
1937
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1945
1948
1949
RAF Acesadd_circle_outline
1941
1943
Railroad Magazineadd_circle_outline
1941
1944
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1948
Railroad Man’s Magazineadd_circle_outline
1930
Railroad Storiesadd_circle_outline
1933
1936
1937
1947
Ranch Romancesadd_circle_outline
1941
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1955
1957
Range Riders Westernadd_circle_outline
1951
Rangeland Romancesadd_circle_outline
1935
1945
Rio Kid Western, Theadd_circle_outline
1943
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1949
Rocket Storiesadd_circle_outline
Rocket Stories is a short lived American pulp magazine published by Space Publications based in New York. It only ran for three issues in 1953. It was edited by the writer Lester Del Rey (Marooned on Mars) for the first two issues and by the writer Harry Harrison (Stainless Steel Rat) for the last.
Rocket Stories was a companion magazine to Fantasy Fiction, Space Science Fiction and Science Fiction Adventures. All four magazines were closed down when the publisher lost interest.
Romantic Westernadd_circle_outline
Science Fictionadd_circle_outline
1939
1941
Science Fiction Quarterlyadd_circle_outline
1942
1952
1953
1954
1958
Scoopsadd_circle_outline
Scoops is considered the first British S.F. magazine, although, at the time it was sometimes referred to as a comic. Published by Pearson, London. This is a rare title nowadays and of great interest is that, “The Poison Belt” by Sir Arthur Conan Doyle is serialised from #13. The scans are from old tired, copies and the text might be difficult to read in places but the illustrations are excellent. 1 is missing page 2 and the cover is from the internet.— Taken from comicbookplus.com
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1934
Sexton Blake Libraryadd_circle_outline
Sexton Blake is a fictional character, a detective who has been featured in many British comic strips, novels and dramatic productions since 1893. Sexton Blake adventures were featured in a wide variety of British and international publications (in many languages) from 1893 to 1978, comprising more than 4,000 stories by some 200 different authors. Blake was also the hero of numerous silent and sound movies, radio serials, and a 1960s television series.
The first issue of The Sexton Blake Library was published on 20 September 1915, entitled “The Yellow Tiger” and written by G. H. Teed. This issue introduced villains Wu Ling and Baron de Beauremon in an eleven chapter story, costing 3d (1.25p). The story is 107 pages; a second story, “The Great Cup-Tie!” (not featuring Blake) completes the remainder of the issue’s 120 pages. The second issue, “Ill Gotten Gains (The Secret of Salcoth Island)”, had Blake fight Count Carlac and Professor Kew. Issue three was entitled “The Shadow of his Crime” and issue four “The Rajah’s Revenge”. The last edition, “Down Among The Ad Men” written by W. A Ballinger (Wilfred McNeilly), was published in October 1968. Some additional Sexton Blake books were published during 1968 and 1969 that were not labelled explicitly as part of the Sexton Blake Library.
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Shockadd_circle_outline
Sky Acesadd_circle_outline
1938
1939
Sky Devilsadd_circle_outline
1938
Sky Fightersadd_circle_outline
1932
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1945
Sky Raidersadd_circle_outline
1940
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Smash Detective Storiesadd_circle_outline
1953
Speed Adventuresadd_circle_outline
1944
Speed Detectiveadd_circle_outline
1944
1945
Spicy Adventure Storiesadd_circle_outline
1937
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Spicy Detectiveadd_circle_outline
1941
Spicy Mysteryadd_circle_outline
Spicy Westernadd_circle_outline
1939
1941
Sports Fictionadd_circle_outline
1947
Sports Novels Magazineadd_circle_outline
1948
1949
Star Detectiveadd_circle_outline
1938
Star Westernadd_circle_outline
1953
Startling Detective Adventuresadd_circle_outline
1936
Startling Storiesadd_circle_outline
1939
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Strange Detective Mysteriesadd_circle_outline
Strange Storiesadd_circle_outline
1939
Super Detectiveadd_circle_outline
1942
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Super Detective Library (UK)add_circle_outline
1935
Super Science Novelsadd_circle_outline
1941
Super Science Storiesadd_circle_outline
1943
1951
Super Sportsadd_circle_outline
Super-Science Fictionadd_circle_outline
1956
Super-Science Fictionadd_circle_outline
1956
1957
Sure Fire Westernadd_circle_outline
1937
Ten Detective Acesadd_circle_outline
1935
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1949
Terence X. O’Leary’s War Birdsadd_circle_outline
1935
Terror Talesadd_circle_outline
1936
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Texas Rangersadd_circle_outline
1938
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Thriller, Theadd_circle_outline
British weekly “pulp” featuring well written and illustrated, fast moving and atmospheric crime and mystery stories. Some well known authors and characters appeared in The Thriller incl. The Saint, Shadow, Blackshirt, Mr. Preed, J.G. Reeder. Writers incl. Charteris, Horler, Douthwaite, Edmund Snell, GH Teed, Barry Perowne, John G. Brandon, Anthony Skene. The covers were often excellent, especially those by Arthur Jones – atmospheric, dangerous and exciting. — Taken form comicbookplus.com
1929
Thrilling Adventuresadd_circle_outline
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Thrilling Detectiveadd_circle_outline
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Thrilling Footballadd_circle_outline
1945
Thrilling Loveadd_circle_outline
1941
Thrilling Mysteryadd_circle_outline
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Thrilling Mystery Noveladd_circle_outline
1946
Thrilling Sportsadd_circle_outline
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Thrilling Spy Storiesadd_circle_outline
1940
Thrilling Westernadd_circle_outline
1935
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Thrilling Wonder Storiesadd_circle_outline
1938
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Timely Detective Casesadd_circle_outline
1944
Top-Notchadd_circle_outline
1934
Triple Detectiveadd_circle_outline
1955
Triple-Xadd_circle_outline
1929
True Detectiveadd_circle_outline
1926
1929
1930
True Experienceadd_circle_outline
1934
True Gangster Storiesadd_circle_outline
1942
Two Complete Detective Booksadd_circle_outline
1943
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1951
Two Complete Science-Adventureadd_circle_outline
Two Gun Western Novelsadd_circle_outline
1942
Uncanny Storiesadd_circle_outline
1941
Vargo Stattenadd_circle_outline
1954
Variety Detectiveadd_circle_outline
1938
Walt Coburn’s Western Magazineadd_circle_outline
Walt Coburn (1889–1971) was an American writer of Westerns. Coburn was born in White Sulphur Springs, Montana Territory, the son of Robert Coburn Senior, the founder of the noted Circle C Ranch.
Coburn served in the military in the First World War. He later spent time as a cowboy and a surveyor, before becoming a full-time writer in the 1920s.
Coburn began his career with Western stories in general fiction pulp magazines such as Adventure and Argosy. Later Coburn moved on to pulps specializing in Westerns, including Western Story Magazine, Lariat Story Magazine, Ace-High Western and Frontier Stories. He often wrote for the Fiction House pulp magazines, which promoted Coburn as “the Cowboy Author”.
Coburn was enormously prolific; Flanagan states Coburn wrote almost two million words of fiction over a thirty year period. Coburn at his most prolific, averaged over 600,000 published words per year. He was so popular that eventually, two pulp magazines – Walt Coburn’s Western Magazine and Walt Coburn’s Action Novels were issued, consisting mainly of reprints of Coburn’s work.
After the pulps ended in the 1950s, Coburn switched his focus to writing paperback originals.
Coburn was a devout Christian. Coburn claimed, in his posthumously published autobiography Western Word Wrangler (1973) that God had chosen him to spread the Christian message through his fiction.
Coburn committed suicide at age 82 in Prescott, Arizona.
1950
War Birdsadd_circle_outline
1932
1934
Weird Talesadd_circle_outline
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18.The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright’s control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright’s control the magazine lived up to its subtitle, “The Unique Magazine”, and published a wide range of unusual fiction.
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Lovecraft’s Cthulhu mythos stories first appeared in Weird Tales, starting with “The Call of Cthulhu” in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn’s series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.
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In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998.
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The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it “the most important and influential of all fantasy magazines”. Weinberg’s fellow historian, Mike Ashley, is more cautious, describing it as “second only to Unknown in significance and influence”, adding that “somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales”.
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1938
Westadd_circle_outline
1945
Western Action Novelsadd_circle_outline
1937
1957
Western Storyadd_circle_outline
1939
Western Trailsadd_circle_outline
1938
1947
Wild West Weeklyadd_circle_outline
1937
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Wingsadd_circle_outline
1937
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1947
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Women in Crimeadd_circle_outline
1948
Zane Grey’s Western Magazineadd_circle_outline
.44 Westernadd_circle_outline
1940
1946
1954
10 Story Detectiveadd_circle_outline
1941
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10 Story Westernadd_circle_outline
1943
1945
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1953
12 Sports Acesadd_circle_outline
1943
5 Detective Novelsadd_circle_outline
1950
1951
A. Merritt’s Fantasyadd_circle_outline
1949
1950
Ace G-Manadd_circle_outline
Ace-High Western Storiesadd_circle_outline
Acesadd_circle_outline
1931
Action Storiesadd_circle_outline
1926
1932
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Adventureadd_circle_outline
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an offshoot of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine’s first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927. –Taken from Wikipedia
1916
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Air Actionadd_circle_outline
1940
Air Adventuresadd_circle_outline
1939
Air Storiesadd_circle_outline
1928
1938
Air Stories UKadd_circle_outline
Air Waradd_circle_outline
1942
1943
All-American Fictionadd_circle_outline
1937
All-American Football Magazineadd_circle_outline
1943
All-Story Detectiveadd_circle_outline
1949
Amazing Storiesadd_circle_outline
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback’s Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
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1928
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American Detectiveadd_circle_outline
1936
American Eagleadd_circle_outline
1942
1947
American Magazineadd_circle_outline
American Sky Devilsadd_circle_outline
1942
Argosyadd_circle_outline
1932
1942
Army Navy Flying Storiesadd_circle_outline
1943
Astonishing Storiesadd_circle_outline
1943
Astounding Science Fictionadd_circle_outline
1941
Astounding Science Fiction UKadd_circle_outline
1940
Authentic Science Fictionadd_circle_outline
Authentic Science Fiction was a British science fiction magazine published in the 1950s.
At this time, science fiction magazines had been published successfully in North America for over twenty years, but little progress had been made in establishing British equivalents. The bulk of British sci-fi was published as paperback books, rather than magazines; a situation opposite of that in the US.
Since 1939, Atlas, a British publisher, had been producing a reprint edition of Astounding Science Fiction, one of the most well-regarded American sf magazines. During the war the contents had often been cut severely, and the schedule had not been regular, but it was reputed to sell 40,000 copies a month. This was enough to attract the attention of Hamilton & Co., a British publisher looking for new markets.
In 1949, Hamilton hired Gordon Landsborough as an editor. Landsborough did his best to improve the quality of the science fiction he was publishing, and was allowed to offer £1 per 1,000 words for selected material. He also was joined at Hamilton by H.J. Campbell, who was hired as a technical editor. Campbell was a London science fiction fan; he had been brought on by Hulton Press (publisher of the very successful comic the Eagle) to create a science fiction magazine, but the project had been abandoned before seeing print.
Out of this came Authentic Science Fiction, which in various incarnations, ran for 85 issues. source:wikipedia.
Baseball Storiesadd_circle_outline
1945
Battle Birdsadd_circle_outline
1942
Best Sports Storiesadd_circle_outline
1951
Big Book Detectiveadd_circle_outline
1942
Big Book Western Magazineadd_circle_outline
1940
Bill Barnes / Air Trailsadd_circle_outline
1934
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1939
Black Book Detectiveadd_circle_outline
1939
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Black Maskadd_circle_outline
1932
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1951
Captain Futureadd_circle_outline
Captain Future is a science fiction hero – a space-traveling scientist and adventurer – originally published in a namesake pulp magazine from 1940 to 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works. Most significant was a 1978-79 Japanese anime (キャプテン・フューチャー), which was dubbed into several languages and proved very popular, particularly in Spanish, French, German and Arabic.
The stories were published in the pulp magazines from 1940 to 1951, featuring bright-colored cover illustrations by Earle K. Bergey and two other fellow pulp artists. The adventures mostly appeared in Captain Future’s own magazine but later stories appeared in Startling Stories. Captain Future is Curtis Newton, a brilliant scientist and adventurer who roams the solar system solving problems, righting wrongs, and vanquishing futuristic supervillains…
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The series contains a number of assumptions about the solar system which are outlandish by modern standards but which still seemed plausible, at least to the general public, in the time the stories were written. All of the planets of the solar system, and many of the moons and asteroids, are suitable for life, and most are already occupied by humanoid extraterrestrial races. The initial adventures take place in the planets of the solar system but later stories (after the character invents the “vibration drive”) take the hero to other stars, other dimensions and even the distant past and almost to the end of the Universe. For example, they visit the star Deneb, which is the origin of Earth humans, as well as many other humanoid races across the Solar System and beyond.
1940
1944
Captain Hazzardadd_circle_outline
Originally published in May of 1938, Captain Hazzard was a one shot issue magazine intended to be published bi-monthly by Magazine Publishers under the Ace Magazine imprint. Hazzard was a clone of Street and Smith’s extremely popular Doc Savage. While Doc was raised in an environment created to make him the optimal human being. Hazzard was an orphan who had lost his sight for 15 years. During his time of blindness Hazzard “developed his mental powers far beyond those of the average person” including the ability to communicate with others telepathically. In a typical pulp hero fashion after his vision returns he studies Oriental mysticism, becomes a mechanical genius, creates a research facility: Hazzard Labs, and collects other scientists and adventures to help him battle the forces of evil.
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Like Doc Savage Capt. Hazzard has a unique eye color that changes based on the the situation, fluctuating between gray and a steely blue. The character of Captain Hazzard fell into public domain several years ago. The original story Python Men of Lost City has been reprinted and rewritten by Ron Fortier and four new stories have been published. Captain Hazzard: Custer’s Ghost, Captain Hazzard: Cavemen of New York, Captain Hazzard: Citadel of Fear, and Captain Hazzard: Curse of the Red Maggot.
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While the author of the original magazine story is credited to a pseudonym Chester Hawks, the true author remains unknown.
1938
Captain Satanadd_circle_outline
Captain Zeroadd_circle_outline
Captain Zero as a crime fighting pulp hero. Lee Allyn is cursed with a mysterious capability of becoming invisible at the stroke of midnight and re-appears at dawn. Only his eyes are visible providing an achilles heal. Using this power, Captain Zero battles crime and the underworld.
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Published by Popular Publications starting in 1949, lasting three issues at the tail end of the pulp fiction magazine era. All three Captain Zero stories were written by G.T. Fleming-Roberts (1910 – 1968)
1949
Civil War Storiesadd_circle_outline
1940
Cluesadd_circle_outline
1935
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Complete Northwest Novelsadd_circle_outline
1935
Complete Sportsadd_circle_outline
Complete Storiesadd_circle_outline
1936
Complete War Novelsadd_circle_outline
1943
Cowboy Storiesadd_circle_outline
1935
Crack Detectiveadd_circle_outline
1943
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Crime Bustersadd_circle_outline
1938
Dare-Devil Acesadd_circle_outline
1935
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Detective Bookadd_circle_outline
1848-49
Detective Fiction Weeklyadd_circle_outline
1931
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Detective Mystery Noveladd_circle_outline
Detective Noveladd_circle_outline
1946
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Detective Short Storiesadd_circle_outline
1938
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Detective Storyadd_circle_outline
1939
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Detective Talesadd_circle_outline
1935
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Detective Weekly (UK)add_circle_outline
1939
Dime Detectiveadd_circle_outline
1933
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Dime Mysteryadd_circle_outline
1933
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Dime Sportsadd_circle_outline
1944
Dime Westernadd_circle_outline
1948
1950
Dixon Hawkeadd_circle_outline
The other, other “Great Detective”, Dixon Hawke (although fans would say Hawke was a better read than Sexton Blake) appeared in The Dixon Hawke Library in 1919, which ran 576 issues till 1941. His adventures also appeared in the subsequent Dixon Hawke Case Books, plus the weekly paper, “Adventure” and in the Sunday Post. The library issues were smaller than pocket libraries. — Taken from comicbookplus.com
1940
1941
Dusty Ayres and his Battle Birdsadd_circle_outline
Dynamic Science Fictionadd_circle_outline
Dynamic Science Storiesadd_circle_outline
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
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Although science fiction had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the 1930s the field was booming.[ In 1938 Abraham and Martin Goodman, two brothers who owned a publishing company with multiple imprints, launched Marvel Science Stories, edited by Robert O. Erisman. In February of the following year they added Dynamic Science Stories as a companion magazine intended to run longer stories. The contents were typical pulp science fiction, with few memorable stories. Science fiction historians Joseph Marchesani and Mike Ashley identify only three stories of quality: Nelson S. Bond’s “The Message from the Void” (published under the pseudonym “Hubert Mavity”); L. Sprague de Camp’s “Ananias”; and Manly Wade Wellman’s “Insight”.
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The cover for the first issue was painted by Frank R. Paul, a popular cover artist recently returned to the science fiction field; Norman Saunders provided the second cover. Dynamic’s sister magazine, Marvel Science Stories, often published stories with more sexual content than was usual for science fiction magazines of the day, but, although Dynamic’s advertising included books offering sexual advice, the magazine’s actual content was more traditional pulp material. The magazine only lasted two issues, though it is not known whether this was because of poor sales or if the cancellation was “a reflection of the whim of the publisher”, in Ashley’s words.
Eerie Mysteriesadd_circle_outline
1939
Eerie Storiesadd_circle_outline
1937
Exciting Detectiveadd_circle_outline
1940
Exciting Footballadd_circle_outline
1950
Exciting Sportsadd_circle_outline
1941
1946
Exciting Westernadd_circle_outline
1946
F.B.I. Detective Storiesadd_circle_outline
Famous Detective Storiesadd_circle_outline
Fantastic Adventuresadd_circle_outline
1941
1943
1946
1948
Fifteen Range Romancesadd_circle_outline
1954
Fifteen Sports Storiesadd_circle_outline
1949
Fifteen Western Talesadd_circle_outline
Fight Storiesadd_circle_outline
1928
1930
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1949
Fighting Acesadd_circle_outline
1943
Five Novels Magazineadd_circle_outline
1943
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Flying Acesadd_circle_outline
1935
1936
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1940
Flying Storiesadd_circle_outline
1929
Football Storiesadd_circle_outline
1937
1938
Foreign Legion Adventuresadd_circle_outline
1940
Future Fictionadd_circle_outline
G-8 and His Battle Acesadd_circle_outline
1943
G-Menadd_circle_outline
1939
G-Men Detectiveadd_circle_outline
1943
1947
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Gang Worldadd_circle_outline
1931
Gem Detectiveadd_circle_outline
1946
Ghost Detectiveadd_circle_outline
1940
Ghost Super-Detectiveadd_circle_outline
The Ghost Super-Detective was created in the early ’40s by Fleming-Roberts, when Thrilling were coming out with more pulp heroes. He is the only one that Norman Daniels didn’t have a hand in. And, confusingly, we have another Green Ghost (created earlier by Johnston McCulley that I’ve covered before), and this character has gone through several name changes, as evident by the changes in magazine titles.
Overall, the character had 14 original stories from 1940-44. He first starred in his own pulp magazine in 1940, titled The Ghost-Super Detective for three issues. It was renamed to The Ghost Detective for one issue, then The Green Ghost Detective for three issues. He then moved to Thrilling Mystery where he was again known as just “The Ghost” for six stories. A final story appeared in Thrilling Detective, where he was renamed “George Hazzard” and all mention of being The Green Ghost was dropped, which was a common fate for many of Thrilling’s later pulp heroes.
The Green Ghost, which is what most pulp fans call him, was really magician George Chance. This was interesting, because Fleming-Roberts had recently done a series of stories about a magician-turned-detective named Diamondstone! Similar to some other Thrilling heroes, Chance gets involved helping the police with tough cases, putting to use his skills as a magician, and finds he enjoys it. So he’s more a semi-official vigilante, than one who operates totally outside the law.
“The Ghost Super-Detective” (Spring 1940)Chance disguises himself as the mysterious “Green Ghost,” using makeup to give him a ghoulish appearance. He is aided by several others. There is his assistant, Glenn Saunders, who looks just like him. This is useful to throw people off from thinking Chance is The Ghost. There is his love interest, Merry White, who often gets in trouble. Tiny Tim Terry is a midget and friend of George’s; and Joe Harper is another member of his staff who helps out. There is also the Police Commissioner Standish who also knows who The Ghost really is, along with the medical examiner, Robert Demarest.
–Taken from thepulp.net
Gold Seal Detectiveadd_circle_outline
1936
Guilty Detective Storiesadd_circle_outline
1958
Hollywood Detectiveadd_circle_outline
1946
Hooded Detectiveadd_circle_outline
1942
Horror Storiesadd_circle_outline
1937
Imaginative Talesadd_circle_outline
Jungle Storiesadd_circle_outline
1943-44
1947
1948
Lariatadd_circle_outline
1947
Liberty Magazineadd_circle_outline
Liberty was an American weekly, general-interest magazine, originally priced at five cents and subtitled, “A Weekly for Everybody.” It was launched in 1924 by McCormick-Patterson, the publisher until 1931, when it was taken over by Bernarr Macfadden until 1941. It featured contributions from some of the biggest politicians, celebrities, authors, and artists of the 20th-century. The contents of the magazine provide a unique look into popular culture, politics, and world events through the Roaring 20s, Great Depression, World War II, and Post-War America. It ceased publication in 1950 and was revived briefly in 1971.
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Liberty Magazine was founded in 1924 by cousins Colonel Robert Rutherford McCormick and Captain Joseph Medill Patterson, owners and editors of the Chicago Tribune and New York Daily News respectively. In 1924, the owners held a nationwide contest to name the magazine offering $20,000 dollars ($300,000 in current dollar terms) to the winning entry. Among tens of thousands of entries, Charles L. Well won with his title Liberty “A Weekly for Everybody.”
The publication was constantly losing money under the family duo, though achieving high circulation. It is believed to have lost McCormick and Patterson as much as $12 million over the course of their ownership, and as a result, it was sold to Bernarr McFadden in 1931.
Under McFadden’s early leadership, the magazine was a strong proponent of Franklin D. Roosevelt, and an article proclaiming him to be physically fit to hold office may have held substantial sway in the outcome of the election. McFadden led the magazine to considerable success, until it was discovered in 1941 that he had been falsifying circulation reports by as many as 20,000 copies to increase advertising revenue. John Cuneo and Kimberly-Clark Paper company took over for McFadden in 1941 and righted the indiscretions, but ad revenues never recovered.
Following the lead of The Saturday Evening Post, in 1942 Liberty increased its price from five to ten cents, resulting in a drop in sales, down to 1.4 million, and advertising dollars. In 1944, the magazine was passed on to Paul Hunter, and until its final publication in 1950, a number of different owners would try to revive its former popularity, to no avail. A Canadian edition was published under a series of different ownerships, among them sports entrepreneur Jack Kent Cooke, through the mid-1960s.
In 1968, Dr. Seuss sued Liberty over a copyright dispute regarding cartoons he had sold to the magazine in 1932. Unlike most publications at the time, Liberty typically bought not only first serial rights, but all publishing and distribution rights to the work of their contributors. Liberty won the case, and their copyrights were solidly established by a landmark ruling in copyright law.
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1943
Lone Eagleadd_circle_outline
1939
1940
Love Story Magazineadd_circle_outline
1931
Mammoth Adventureadd_circle_outline
1947
Mammoth Detectiveadd_circle_outline
1945
1946
Mammoth Mysteryadd_circle_outline
1945
1947
Mammoth Westernadd_circle_outline
1948
Manhuntadd_circle_outline
Marvel Science Storiesadd_circle_outline
1939
1950
Marvel Storiesadd_circle_outline
1940
1941
Marvel Talesadd_circle_outline
1939
1940
Masked Detectiveadd_circle_outline
1941
Masked Rider Westernadd_circle_outline
1945
1947
1948
1950
Max Brand’s Western Magazineadd_circle_outline
1950
Miracleadd_circle_outline
1934
Modern Mechanixadd_circle_outline
Mysteryadd_circle_outline
Mystery Book Magazineadd_circle_outline
1948
Mystery Magazineadd_circle_outline
1941
1942
Mystery Talesadd_circle_outline
1938
1940
Nebulaadd_circle_outline
1956
New Detectiveadd_circle_outline
1944
1947
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1950
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New Loveadd_circle_outline
1943
New Sportsadd_circle_outline
New Worldsadd_circle_outline
1947
1950
North•West Romancesadd_circle_outline
1938
1942
1943
1949
Passing Show, Theadd_circle_outline
1936
Pete Rice Western Adventuresadd_circle_outline
1936
Phantom Detectiveadd_circle_outline
The Phantom Detective was the second pulp hero magazine published, after The Shadow. The first issue was released in February 1933, a month before Doc Savage, which was released in March 1933. The title continued to be released until 1953, with a total 170 issues. This is the third highest number of issues for a character pulp, after The Shadow, which had 325 issues, and Doc Savage, which had 181. In western titles, Texas Rangers would have around 212 issues of their main character, known as the Lone Wolf.
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The Phantom (as he was called in the stories) is actually the wealthy Richard Curtis Van Loan. In the first few issues of the title, the Phantom is introduced as a world-famous detective, whose true identity is only known by one man—Frank Havens, the publisher of the Clarion newspaper. Richard Curtis Van Loan is orphaned at an early age, but inherits wealth. Before World War I, he leads the life of an idle playboy, but during the war he becomes a pilot and downs many German planes.
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After the war, Van Loan has a difficult time returning to his old life. At the suggestion of his father’s friend, Havens, he sets out to solve a crime that had stumped the police. After solving it, he decides he has found his calling.
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He trains himself in all facets of detection and forensics, and becomes a master of disguise and escape. He makes a name for himself as the Phantom, whom all police agencies around the world know and respect. When dealing with law enforcement officials he carries a platinum badge in the shape of a domino mask as proof of his true identity. The initial stories were less about a detective than an adventurer using disguise and lucky escapes to conclude his cases. –Taken from Wikipedia
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Planet Storiesadd_circle_outline
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick’s first sale, and printed four more of his stories over the next three years.
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The two writers most identified with Planet Stories are Leigh Brackett and Ray Bradbury, both of whom set many of their stories on a romanticized version of Mars that owed much to the depiction of Barsoom in the works of Edgar Rice Burroughs. Bradbury’s work for Planet included an early story in his Martian Chronicles sequence. Brackett’s best-known work for the magazine was a series of adventures featuring Eric John Stark, which began in the summer of 1949. Brackett and Bradbury collaborated on one story, “Lorelei of the Red Mist”, which appeared in 1946; it was generally well-received, although one letter to the magazine complained that the story’s treatment of sex, though mild by modern standards, was too explicit. The artwork also emphasized attractive women, with a scantily clad damsel in distress or alien princess on almost every cover.
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In recent years, Paizo Publishing revived the brand as an imprint for science fiction and fantasy books they published.
— Taken from Wikipedia
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Pocket Detectiveadd_circle_outline
1950
Popular Detectiveadd_circle_outline
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Popular Magazineadd_circle_outline
1928
Popular Westernadd_circle_outline
1940
Private Detective Storiesadd_circle_outline
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RAF Acesadd_circle_outline
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Railroad Magazineadd_circle_outline
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Railroad Man’s Magazineadd_circle_outline
1930
Railroad Storiesadd_circle_outline
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Ranch Romancesadd_circle_outline
1941
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Range Riders Westernadd_circle_outline
1951
Rangeland Romancesadd_circle_outline
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Rio Kid Western, Theadd_circle_outline
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Rocket Storiesadd_circle_outline
Rocket Stories is a short lived American pulp magazine published by Space Publications based in New York. It only ran for three issues in 1953. It was edited by the writer Lester Del Rey (Marooned on Mars) for the first two issues and by the writer Harry Harrison (Stainless Steel Rat) for the last.
Rocket Stories was a companion magazine to Fantasy Fiction, Space Science Fiction and Science Fiction Adventures. All four magazines were closed down when the publisher lost interest.
Romantic Westernadd_circle_outline
Science Fictionadd_circle_outline
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Science Fiction Quarterlyadd_circle_outline
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Scoopsadd_circle_outline
Scoops is considered the first British S.F. magazine, although, at the time it was sometimes referred to as a comic. Published by Pearson, London. This is a rare title nowadays and of great interest is that, “The Poison Belt” by Sir Arthur Conan Doyle is serialised from #13. The scans are from old tired, copies and the text might be difficult to read in places but the illustrations are excellent. 1 is missing page 2 and the cover is from the internet.— Taken from comicbookplus.com
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1934
Sexton Blake Libraryadd_circle_outline
Sexton Blake is a fictional character, a detective who has been featured in many British comic strips, novels and dramatic productions since 1893. Sexton Blake adventures were featured in a wide variety of British and international publications (in many languages) from 1893 to 1978, comprising more than 4,000 stories by some 200 different authors. Blake was also the hero of numerous silent and sound movies, radio serials, and a 1960s television series.
The first issue of The Sexton Blake Library was published on 20 September 1915, entitled “The Yellow Tiger” and written by G. H. Teed. This issue introduced villains Wu Ling and Baron de Beauremon in an eleven chapter story, costing 3d (1.25p). The story is 107 pages; a second story, “The Great Cup-Tie!” (not featuring Blake) completes the remainder of the issue’s 120 pages. The second issue, “Ill Gotten Gains (The Secret of Salcoth Island)”, had Blake fight Count Carlac and Professor Kew. Issue three was entitled “The Shadow of his Crime” and issue four “The Rajah’s Revenge”. The last edition, “Down Among The Ad Men” written by W. A Ballinger (Wilfred McNeilly), was published in October 1968. Some additional Sexton Blake books were published during 1968 and 1969 that were not labelled explicitly as part of the Sexton Blake Library.
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Shockadd_circle_outline
Sky Acesadd_circle_outline
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Sky Devilsadd_circle_outline
1938
Sky Fightersadd_circle_outline
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Sky Raidersadd_circle_outline
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Smash Detective Storiesadd_circle_outline
1953
Speed Adventuresadd_circle_outline
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Speed Detectiveadd_circle_outline
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Spicy Adventure Storiesadd_circle_outline
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Spicy Detectiveadd_circle_outline
1941
Spicy Mysteryadd_circle_outline
Spicy Westernadd_circle_outline
1939
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Sports Fictionadd_circle_outline
1947
Sports Novels Magazineadd_circle_outline
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Star Detectiveadd_circle_outline
1938
Star Westernadd_circle_outline
1953
Startling Detective Adventuresadd_circle_outline
1936
Startling Storiesadd_circle_outline
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Strange Detective Mysteriesadd_circle_outline
Strange Storiesadd_circle_outline
1939
Super Detectiveadd_circle_outline
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Super Detective Library (UK)add_circle_outline
1935
Super Science Novelsadd_circle_outline
1941
Super Science Storiesadd_circle_outline
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Super Sportsadd_circle_outline
Super-Science Fictionadd_circle_outline
1956
Super-Science Fictionadd_circle_outline
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Sure Fire Westernadd_circle_outline
1937
Ten Detective Acesadd_circle_outline
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Terence X. O’Leary’s War Birdsadd_circle_outline
1935
Terror Talesadd_circle_outline
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Texas Rangersadd_circle_outline
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Thriller, Theadd_circle_outline
British weekly “pulp” featuring well written and illustrated, fast moving and atmospheric crime and mystery stories. Some well known authors and characters appeared in The Thriller incl. The Saint, Shadow, Blackshirt, Mr. Preed, J.G. Reeder. Writers incl. Charteris, Horler, Douthwaite, Edmund Snell, GH Teed, Barry Perowne, John G. Brandon, Anthony Skene. The covers were often excellent, especially those by Arthur Jones – atmospheric, dangerous and exciting. — Taken form comicbookplus.com
1929
Thrilling Adventuresadd_circle_outline
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Thrilling Detectiveadd_circle_outline
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Thrilling Footballadd_circle_outline
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Thrilling Loveadd_circle_outline
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Thrilling Mysteryadd_circle_outline
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Thrilling Mystery Noveladd_circle_outline
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Thrilling Sportsadd_circle_outline
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Thrilling Spy Storiesadd_circle_outline
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Thrilling Westernadd_circle_outline
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Thrilling Wonder Storiesadd_circle_outline
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Timely Detective Casesadd_circle_outline
1944
Top-Notchadd_circle_outline
1934
Triple Detectiveadd_circle_outline
1955
Triple-Xadd_circle_outline
1929
True Detectiveadd_circle_outline
1926
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True Experienceadd_circle_outline
1934
True Gangster Storiesadd_circle_outline
1942
Two Complete Detective Booksadd_circle_outline
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Two Complete Science-Adventureadd_circle_outline
Two Gun Western Novelsadd_circle_outline
1942
Uncanny Storiesadd_circle_outline
1941
Vargo Stattenadd_circle_outline
1954
Variety Detectiveadd_circle_outline
1938
Walt Coburn’s Western Magazineadd_circle_outline
Walt Coburn (1889–1971) was an American writer of Westerns. Coburn was born in White Sulphur Springs, Montana Territory, the son of Robert Coburn Senior, the founder of the noted Circle C Ranch.
Coburn served in the military in the First World War. He later spent time as a cowboy and a surveyor, before becoming a full-time writer in the 1920s.
Coburn began his career with Western stories in general fiction pulp magazines such as Adventure and Argosy. Later Coburn moved on to pulps specializing in Westerns, including Western Story Magazine, Lariat Story Magazine, Ace-High Western and Frontier Stories. He often wrote for the Fiction House pulp magazines, which promoted Coburn as “the Cowboy Author”.
Coburn was enormously prolific; Flanagan states Coburn wrote almost two million words of fiction over a thirty year period. Coburn at his most prolific, averaged over 600,000 published words per year. He was so popular that eventually, two pulp magazines – Walt Coburn’s Western Magazine and Walt Coburn’s Action Novels were issued, consisting mainly of reprints of Coburn’s work.
After the pulps ended in the 1950s, Coburn switched his focus to writing paperback originals.
Coburn was a devout Christian. Coburn claimed, in his posthumously published autobiography Western Word Wrangler (1973) that God had chosen him to spread the Christian message through his fiction.
Coburn committed suicide at age 82 in Prescott, Arizona.
1950
War Birdsadd_circle_outline
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1934
Weird Talesadd_circle_outline
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18.The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright’s control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright’s control the magazine lived up to its subtitle, “The Unique Magazine”, and published a wide range of unusual fiction.
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Lovecraft’s Cthulhu mythos stories first appeared in Weird Tales, starting with “The Call of Cthulhu” in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn’s series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.
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In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998.
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The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it “the most important and influential of all fantasy magazines”. Weinberg’s fellow historian, Mike Ashley, is more cautious, describing it as “second only to Unknown in significance and influence”, adding that “somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales”.
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1938
Westadd_circle_outline
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Western Action Novelsadd_circle_outline
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Western Storyadd_circle_outline
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Western Trailsadd_circle_outline
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Wild West Weeklyadd_circle_outline
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Wingsadd_circle_outline
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Women in Crimeadd_circle_outline
1948
Zane Grey’s Western Magazineadd_circle_outline
.44 Westernadd_circle_outline
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10 Story Detectiveadd_circle_outline
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10 Story Westernadd_circle_outline
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12 Sports Acesadd_circle_outline
1943
5 Detective Novelsadd_circle_outline
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A. Merritt’s Fantasyadd_circle_outline
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Ace G-Manadd_circle_outline
Ace-High Western Storiesadd_circle_outline
Acesadd_circle_outline
1931
Action Storiesadd_circle_outline
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Adventureadd_circle_outline
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an offshoot of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine’s first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927. –Taken from Wikipedia
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Air Actionadd_circle_outline
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Air Adventuresadd_circle_outline
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Air Storiesadd_circle_outline
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Air Stories UKadd_circle_outline
Air Waradd_circle_outline
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All-American Fictionadd_circle_outline
1937
All-American Football Magazineadd_circle_outline
1943
All-Story Detectiveadd_circle_outline
1949
Amazing Storiesadd_circle_outline
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback’s Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
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American Detectiveadd_circle_outline
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American Eagleadd_circle_outline
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American Magazineadd_circle_outline
American Sky Devilsadd_circle_outline
1942
Argosyadd_circle_outline
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Army Navy Flying Storiesadd_circle_outline
1943
Astonishing Storiesadd_circle_outline
1943
Astounding Science Fictionadd_circle_outline
1941
Astounding Science Fiction UKadd_circle_outline
1940
Authentic Science Fictionadd_circle_outline
Authentic Science Fiction was a British science fiction magazine published in the 1950s.
At this time, science fiction magazines had been published successfully in North America for over twenty years, but little progress had been made in establishing British equivalents. The bulk of British sci-fi was published as paperback books, rather than magazines; a situation opposite of that in the US.
Since 1939, Atlas, a British publisher, had been producing a reprint edition of Astounding Science Fiction, one of the most well-regarded American sf magazines. During the war the contents had often been cut severely, and the schedule had not been regular, but it was reputed to sell 40,000 copies a month. This was enough to attract the attention of Hamilton & Co., a British publisher looking for new markets.
In 1949, Hamilton hired Gordon Landsborough as an editor. Landsborough did his best to improve the quality of the science fiction he was publishing, and was allowed to offer £1 per 1,000 words for selected material. He also was joined at Hamilton by H.J. Campbell, who was hired as a technical editor. Campbell was a London science fiction fan; he had been brought on by Hulton Press (publisher of the very successful comic the Eagle) to create a science fiction magazine, but the project had been abandoned before seeing print.
Out of this came Authentic Science Fiction, which in various incarnations, ran for 85 issues. source:wikipedia.
Baseball Storiesadd_circle_outline
1945
Battle Birdsadd_circle_outline
1942
Best Sports Storiesadd_circle_outline
1951
Big Book Detectiveadd_circle_outline
1942
Big Book Western Magazineadd_circle_outline
1940
Bill Barnes / Air Trailsadd_circle_outline
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Black Book Detectiveadd_circle_outline
1939
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Black Maskadd_circle_outline
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Captain Futureadd_circle_outline
Captain Future is a science fiction hero – a space-traveling scientist and adventurer – originally published in a namesake pulp magazine from 1940 to 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works. Most significant was a 1978-79 Japanese anime (キャプテン・フューチャー), which was dubbed into several languages and proved very popular, particularly in Spanish, French, German and Arabic.
The stories were published in the pulp magazines from 1940 to 1951, featuring bright-colored cover illustrations by Earle K. Bergey and two other fellow pulp artists. The adventures mostly appeared in Captain Future’s own magazine but later stories appeared in Startling Stories. Captain Future is Curtis Newton, a brilliant scientist and adventurer who roams the solar system solving problems, righting wrongs, and vanquishing futuristic supervillains…
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The series contains a number of assumptions about the solar system which are outlandish by modern standards but which still seemed plausible, at least to the general public, in the time the stories were written. All of the planets of the solar system, and many of the moons and asteroids, are suitable for life, and most are already occupied by humanoid extraterrestrial races. The initial adventures take place in the planets of the solar system but later stories (after the character invents the “vibration drive”) take the hero to other stars, other dimensions and even the distant past and almost to the end of the Universe. For example, they visit the star Deneb, which is the origin of Earth humans, as well as many other humanoid races across the Solar System and beyond.
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1944
Captain Hazzardadd_circle_outline
Originally published in May of 1938, Captain Hazzard was a one shot issue magazine intended to be published bi-monthly by Magazine Publishers under the Ace Magazine imprint. Hazzard was a clone of Street and Smith’s extremely popular Doc Savage. While Doc was raised in an environment created to make him the optimal human being. Hazzard was an orphan who had lost his sight for 15 years. During his time of blindness Hazzard “developed his mental powers far beyond those of the average person” including the ability to communicate with others telepathically. In a typical pulp hero fashion after his vision returns he studies Oriental mysticism, becomes a mechanical genius, creates a research facility: Hazzard Labs, and collects other scientists and adventures to help him battle the forces of evil.
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Like Doc Savage Capt. Hazzard has a unique eye color that changes based on the the situation, fluctuating between gray and a steely blue. The character of Captain Hazzard fell into public domain several years ago. The original story Python Men of Lost City has been reprinted and rewritten by Ron Fortier and four new stories have been published. Captain Hazzard: Custer’s Ghost, Captain Hazzard: Cavemen of New York, Captain Hazzard: Citadel of Fear, and Captain Hazzard: Curse of the Red Maggot.
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While the author of the original magazine story is credited to a pseudonym Chester Hawks, the true author remains unknown.
1938
Captain Satanadd_circle_outline
Captain Zeroadd_circle_outline
Captain Zero as a crime fighting pulp hero. Lee Allyn is cursed with a mysterious capability of becoming invisible at the stroke of midnight and re-appears at dawn. Only his eyes are visible providing an achilles heal. Using this power, Captain Zero battles crime and the underworld.
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Published by Popular Publications starting in 1949, lasting three issues at the tail end of the pulp fiction magazine era. All three Captain Zero stories were written by G.T. Fleming-Roberts (1910 – 1968)
1949
Civil War Storiesadd_circle_outline
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Cluesadd_circle_outline
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Complete Northwest Novelsadd_circle_outline
1935
Complete Sportsadd_circle_outline
Complete Storiesadd_circle_outline
1936
Complete War Novelsadd_circle_outline
1943
Cowboy Storiesadd_circle_outline
1935
Crack Detectiveadd_circle_outline
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Crime Bustersadd_circle_outline
1938
Dare-Devil Acesadd_circle_outline
1935
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Detective Bookadd_circle_outline
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Detective Fiction Weeklyadd_circle_outline
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Detective Mystery Noveladd_circle_outline
Detective Noveladd_circle_outline
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Detective Short Storiesadd_circle_outline
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Detective Storyadd_circle_outline
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Detective Talesadd_circle_outline
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Detective Weekly (UK)add_circle_outline
1939
Dime Detectiveadd_circle_outline
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Dime Mysteryadd_circle_outline
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Dime Sportsadd_circle_outline
1944
Dime Westernadd_circle_outline
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Dixon Hawkeadd_circle_outline
The other, other “Great Detective”, Dixon Hawke (although fans would say Hawke was a better read than Sexton Blake) appeared in The Dixon Hawke Library in 1919, which ran 576 issues till 1941. His adventures also appeared in the subsequent Dixon Hawke Case Books, plus the weekly paper, “Adventure” and in the Sunday Post. The library issues were smaller than pocket libraries. — Taken from comicbookplus.com
1940
1941
Dusty Ayres and his Battle Birdsadd_circle_outline
Dynamic Science Fictionadd_circle_outline
Dynamic Science Storiesadd_circle_outline
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
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Although science fiction had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the 1930s the field was booming.[ In 1938 Abraham and Martin Goodman, two brothers who owned a publishing company with multiple imprints, launched Marvel Science Stories, edited by Robert O. Erisman. In February of the following year they added Dynamic Science Stories as a companion magazine intended to run longer stories. The contents were typical pulp science fiction, with few memorable stories. Science fiction historians Joseph Marchesani and Mike Ashley identify only three stories of quality: Nelson S. Bond’s “The Message from the Void” (published under the pseudonym “Hubert Mavity”); L. Sprague de Camp’s “Ananias”; and Manly Wade Wellman’s “Insight”.
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The cover for the first issue was painted by Frank R. Paul, a popular cover artist recently returned to the science fiction field; Norman Saunders provided the second cover. Dynamic’s sister magazine, Marvel Science Stories, often published stories with more sexual content than was usual for science fiction magazines of the day, but, although Dynamic’s advertising included books offering sexual advice, the magazine’s actual content was more traditional pulp material. The magazine only lasted two issues, though it is not known whether this was because of poor sales or if the cancellation was “a reflection of the whim of the publisher”, in Ashley’s words.
Eerie Mysteriesadd_circle_outline
1939
Eerie Storiesadd_circle_outline
1937
Exciting Detectiveadd_circle_outline
1940
Exciting Footballadd_circle_outline
1950
Exciting Sportsadd_circle_outline
1941
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Exciting Westernadd_circle_outline
1946
F.B.I. Detective Storiesadd_circle_outline
Famous Detective Storiesadd_circle_outline
Fantastic Adventuresadd_circle_outline
1941
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Fifteen Range Romancesadd_circle_outline
1954
Fifteen Sports Storiesadd_circle_outline
1949
Fifteen Western Talesadd_circle_outline
Fight Storiesadd_circle_outline
1928
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Fighting Acesadd_circle_outline
1943
Five Novels Magazineadd_circle_outline
1943
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Flying Acesadd_circle_outline
1935
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Flying Storiesadd_circle_outline
1929
Football Storiesadd_circle_outline
1937
1938
Foreign Legion Adventuresadd_circle_outline
1940
Future Fictionadd_circle_outline
G-8 and His Battle Acesadd_circle_outline
1943
G-Menadd_circle_outline
1939
G-Men Detectiveadd_circle_outline
1943
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Gang Worldadd_circle_outline
1931
Gem Detectiveadd_circle_outline
1946
Ghost Detectiveadd_circle_outline
1940
Ghost Super-Detectiveadd_circle_outline
The Ghost Super-Detective was created in the early ’40s by Fleming-Roberts, when Thrilling were coming out with more pulp heroes. He is the only one that Norman Daniels didn’t have a hand in. And, confusingly, we have another Green Ghost (created earlier by Johnston McCulley that I’ve covered before), and this character has gone through several name changes, as evident by the changes in magazine titles.
Overall, the character had 14 original stories from 1940-44. He first starred in his own pulp magazine in 1940, titled The Ghost-Super Detective for three issues. It was renamed to The Ghost Detective for one issue, then The Green Ghost Detective for three issues. He then moved to Thrilling Mystery where he was again known as just “The Ghost” for six stories. A final story appeared in Thrilling Detective, where he was renamed “George Hazzard” and all mention of being The Green Ghost was dropped, which was a common fate for many of Thrilling’s later pulp heroes.
The Green Ghost, which is what most pulp fans call him, was really magician George Chance. This was interesting, because Fleming-Roberts had recently done a series of stories about a magician-turned-detective named Diamondstone! Similar to some other Thrilling heroes, Chance gets involved helping the police with tough cases, putting to use his skills as a magician, and finds he enjoys it. So he’s more a semi-official vigilante, than one who operates totally outside the law.
“The Ghost Super-Detective” (Spring 1940)Chance disguises himself as the mysterious “Green Ghost,” using makeup to give him a ghoulish appearance. He is aided by several others. There is his assistant, Glenn Saunders, who looks just like him. This is useful to throw people off from thinking Chance is The Ghost. There is his love interest, Merry White, who often gets in trouble. Tiny Tim Terry is a midget and friend of George’s; and Joe Harper is another member of his staff who helps out. There is also the Police Commissioner Standish who also knows who The Ghost really is, along with the medical examiner, Robert Demarest.
–Taken from thepulp.net
Gold Seal Detectiveadd_circle_outline
1936
Guilty Detective Storiesadd_circle_outline
1958
Hollywood Detectiveadd_circle_outline
1946
Hooded Detectiveadd_circle_outline
1942
Horror Storiesadd_circle_outline
1937
Imaginative Talesadd_circle_outline
Jungle Storiesadd_circle_outline
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Lariatadd_circle_outline
1947
Liberty Magazineadd_circle_outline
Liberty was an American weekly, general-interest magazine, originally priced at five cents and subtitled, “A Weekly for Everybody.” It was launched in 1924 by McCormick-Patterson, the publisher until 1931, when it was taken over by Bernarr Macfadden until 1941. It featured contributions from some of the biggest politicians, celebrities, authors, and artists of the 20th-century. The contents of the magazine provide a unique look into popular culture, politics, and world events through the Roaring 20s, Great Depression, World War II, and Post-War America. It ceased publication in 1950 and was revived briefly in 1971.
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Liberty Magazine was founded in 1924 by cousins Colonel Robert Rutherford McCormick and Captain Joseph Medill Patterson, owners and editors of the Chicago Tribune and New York Daily News respectively. In 1924, the owners held a nationwide contest to name the magazine offering $20,000 dollars ($300,000 in current dollar terms) to the winning entry. Among tens of thousands of entries, Charles L. Well won with his title Liberty “A Weekly for Everybody.”
The publication was constantly losing money under the family duo, though achieving high circulation. It is believed to have lost McCormick and Patterson as much as $12 million over the course of their ownership, and as a result, it was sold to Bernarr McFadden in 1931.
Under McFadden’s early leadership, the magazine was a strong proponent of Franklin D. Roosevelt, and an article proclaiming him to be physically fit to hold office may have held substantial sway in the outcome of the election. McFadden led the magazine to considerable success, until it was discovered in 1941 that he had been falsifying circulation reports by as many as 20,000 copies to increase advertising revenue. John Cuneo and Kimberly-Clark Paper company took over for McFadden in 1941 and righted the indiscretions, but ad revenues never recovered.
Following the lead of The Saturday Evening Post, in 1942 Liberty increased its price from five to ten cents, resulting in a drop in sales, down to 1.4 million, and advertising dollars. In 1944, the magazine was passed on to Paul Hunter, and until its final publication in 1950, a number of different owners would try to revive its former popularity, to no avail. A Canadian edition was published under a series of different ownerships, among them sports entrepreneur Jack Kent Cooke, through the mid-1960s.
In 1968, Dr. Seuss sued Liberty over a copyright dispute regarding cartoons he had sold to the magazine in 1932. Unlike most publications at the time, Liberty typically bought not only first serial rights, but all publishing and distribution rights to the work of their contributors. Liberty won the case, and their copyrights were solidly established by a landmark ruling in copyright law.
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Lone Eagleadd_circle_outline
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Love Story Magazineadd_circle_outline
1931
Mammoth Adventureadd_circle_outline
1947
Mammoth Detectiveadd_circle_outline
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Mammoth Mysteryadd_circle_outline
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Mammoth Westernadd_circle_outline
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Manhuntadd_circle_outline
Marvel Science Storiesadd_circle_outline
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Marvel Storiesadd_circle_outline
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Marvel Talesadd_circle_outline
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Masked Detectiveadd_circle_outline
1941
Masked Rider Westernadd_circle_outline
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Max Brand’s Western Magazineadd_circle_outline
1950
Miracleadd_circle_outline
1934
Modern Mechanixadd_circle_outline
Mysteryadd_circle_outline
Mystery Book Magazineadd_circle_outline
1948
Mystery Magazineadd_circle_outline
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Mystery Talesadd_circle_outline
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Nebulaadd_circle_outline
1956
New Detectiveadd_circle_outline
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New Loveadd_circle_outline
1943
New Sportsadd_circle_outline
New Worldsadd_circle_outline
1947
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North•West Romancesadd_circle_outline
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Passing Show, Theadd_circle_outline
1936
Pete Rice Western Adventuresadd_circle_outline
1936
Phantom Detectiveadd_circle_outline
The Phantom Detective was the second pulp hero magazine published, after The Shadow. The first issue was released in February 1933, a month before Doc Savage, which was released in March 1933. The title continued to be released until 1953, with a total 170 issues. This is the third highest number of issues for a character pulp, after The Shadow, which had 325 issues, and Doc Savage, which had 181. In western titles, Texas Rangers would have around 212 issues of their main character, known as the Lone Wolf.
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The Phantom (as he was called in the stories) is actually the wealthy Richard Curtis Van Loan. In the first few issues of the title, the Phantom is introduced as a world-famous detective, whose true identity is only known by one man—Frank Havens, the publisher of the Clarion newspaper. Richard Curtis Van Loan is orphaned at an early age, but inherits wealth. Before World War I, he leads the life of an idle playboy, but during the war he becomes a pilot and downs many German planes.
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After the war, Van Loan has a difficult time returning to his old life. At the suggestion of his father’s friend, Havens, he sets out to solve a crime that had stumped the police. After solving it, he decides he has found his calling.
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He trains himself in all facets of detection and forensics, and becomes a master of disguise and escape. He makes a name for himself as the Phantom, whom all police agencies around the world know and respect. When dealing with law enforcement officials he carries a platinum badge in the shape of a domino mask as proof of his true identity. The initial stories were less about a detective than an adventurer using disguise and lucky escapes to conclude his cases. –Taken from Wikipedia
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Planet Storiesadd_circle_outline
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick’s first sale, and printed four more of his stories over the next three years.
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The two writers most identified with Planet Stories are Leigh Brackett and Ray Bradbury, both of whom set many of their stories on a romanticized version of Mars that owed much to the depiction of Barsoom in the works of Edgar Rice Burroughs. Bradbury’s work for Planet included an early story in his Martian Chronicles sequence. Brackett’s best-known work for the magazine was a series of adventures featuring Eric John Stark, which began in the summer of 1949. Brackett and Bradbury collaborated on one story, “Lorelei of the Red Mist”, which appeared in 1946; it was generally well-received, although one letter to the magazine complained that the story’s treatment of sex, though mild by modern standards, was too explicit. The artwork also emphasized attractive women, with a scantily clad damsel in distress or alien princess on almost every cover.
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In recent years, Paizo Publishing revived the brand as an imprint for science fiction and fantasy books they published.
— Taken from Wikipedia
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Pocket Detectiveadd_circle_outline
1950
Popular Detectiveadd_circle_outline
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Popular Magazineadd_circle_outline
1928
Popular Westernadd_circle_outline
1940
Private Detective Storiesadd_circle_outline
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RAF Acesadd_circle_outline
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Railroad Magazineadd_circle_outline
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Railroad Man’s Magazineadd_circle_outline
1930
Railroad Storiesadd_circle_outline
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Ranch Romancesadd_circle_outline
1941
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Range Riders Westernadd_circle_outline
1951
Rangeland Romancesadd_circle_outline
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Rio Kid Western, Theadd_circle_outline
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Rocket Storiesadd_circle_outline
Rocket Stories is a short lived American pulp magazine published by Space Publications based in New York. It only ran for three issues in 1953. It was edited by the writer Lester Del Rey (Marooned on Mars) for the first two issues and by the writer Harry Harrison (Stainless Steel Rat) for the last.
Rocket Stories was a companion magazine to Fantasy Fiction, Space Science Fiction and Science Fiction Adventures. All four magazines were closed down when the publisher lost interest.
Romantic Westernadd_circle_outline
Science Fictionadd_circle_outline
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Science Fiction Quarterlyadd_circle_outline
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Scoopsadd_circle_outline
Scoops is considered the first British S.F. magazine, although, at the time it was sometimes referred to as a comic. Published by Pearson, London. This is a rare title nowadays and of great interest is that, “The Poison Belt” by Sir Arthur Conan Doyle is serialised from #13. The scans are from old tired, copies and the text might be difficult to read in places but the illustrations are excellent. 1 is missing page 2 and the cover is from the internet.— Taken from comicbookplus.com
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1934
Sexton Blake Libraryadd_circle_outline
Sexton Blake is a fictional character, a detective who has been featured in many British comic strips, novels and dramatic productions since 1893. Sexton Blake adventures were featured in a wide variety of British and international publications (in many languages) from 1893 to 1978, comprising more than 4,000 stories by some 200 different authors. Blake was also the hero of numerous silent and sound movies, radio serials, and a 1960s television series.
The first issue of The Sexton Blake Library was published on 20 September 1915, entitled “The Yellow Tiger” and written by G. H. Teed. This issue introduced villains Wu Ling and Baron de Beauremon in an eleven chapter story, costing 3d (1.25p). The story is 107 pages; a second story, “The Great Cup-Tie!” (not featuring Blake) completes the remainder of the issue’s 120 pages. The second issue, “Ill Gotten Gains (The Secret of Salcoth Island)”, had Blake fight Count Carlac and Professor Kew. Issue three was entitled “The Shadow of his Crime” and issue four “The Rajah’s Revenge”. The last edition, “Down Among The Ad Men” written by W. A Ballinger (Wilfred McNeilly), was published in October 1968. Some additional Sexton Blake books were published during 1968 and 1969 that were not labelled explicitly as part of the Sexton Blake Library.
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Shockadd_circle_outline
Sky Acesadd_circle_outline
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Sky Devilsadd_circle_outline
1938
Sky Fightersadd_circle_outline
1932
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Sky Raidersadd_circle_outline
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Smash Detective Storiesadd_circle_outline
1953
Speed Adventuresadd_circle_outline
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Speed Detectiveadd_circle_outline
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Spicy Adventure Storiesadd_circle_outline
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Spicy Detectiveadd_circle_outline
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Spicy Mysteryadd_circle_outline
Spicy Westernadd_circle_outline
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Sports Fictionadd_circle_outline
1947
Sports Novels Magazineadd_circle_outline
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Star Detectiveadd_circle_outline
1938
Star Westernadd_circle_outline
1953
Startling Detective Adventuresadd_circle_outline
1936
Startling Storiesadd_circle_outline
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Strange Detective Mysteriesadd_circle_outline
Strange Storiesadd_circle_outline
1939
Super Detectiveadd_circle_outline
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Super Detective Library (UK)add_circle_outline
1935
Super Science Novelsadd_circle_outline
1941
Super Science Storiesadd_circle_outline
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Super Sportsadd_circle_outline
Super-Science Fictionadd_circle_outline
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Super-Science Fictionadd_circle_outline
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Sure Fire Westernadd_circle_outline
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Ten Detective Acesadd_circle_outline
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Terence X. O’Leary’s War Birdsadd_circle_outline
1935
Terror Talesadd_circle_outline
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Texas Rangersadd_circle_outline
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Thriller, Theadd_circle_outline
British weekly “pulp” featuring well written and illustrated, fast moving and atmospheric crime and mystery stories. Some well known authors and characters appeared in The Thriller incl. The Saint, Shadow, Blackshirt, Mr. Preed, J.G. Reeder. Writers incl. Charteris, Horler, Douthwaite, Edmund Snell, GH Teed, Barry Perowne, John G. Brandon, Anthony Skene. The covers were often excellent, especially those by Arthur Jones – atmospheric, dangerous and exciting. — Taken form comicbookplus.com
1929
Thrilling Adventuresadd_circle_outline
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Thrilling Detectiveadd_circle_outline
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Thrilling Footballadd_circle_outline
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Thrilling Loveadd_circle_outline
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Thrilling Mysteryadd_circle_outline
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Thrilling Mystery Noveladd_circle_outline
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Thrilling Sportsadd_circle_outline
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Thrilling Spy Storiesadd_circle_outline
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Thrilling Westernadd_circle_outline
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Thrilling Wonder Storiesadd_circle_outline
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Timely Detective Casesadd_circle_outline
1944
Top-Notchadd_circle_outline
1934
Triple Detectiveadd_circle_outline
1955
Triple-Xadd_circle_outline
1929
True Detectiveadd_circle_outline
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True Experienceadd_circle_outline
1934
True Gangster Storiesadd_circle_outline
1942
Two Complete Detective Booksadd_circle_outline
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Two Complete Science-Adventureadd_circle_outline
Two Gun Western Novelsadd_circle_outline
1942
Uncanny Storiesadd_circle_outline
1941
Vargo Stattenadd_circle_outline
1954
Variety Detectiveadd_circle_outline
1938
Walt Coburn’s Western Magazineadd_circle_outline
Walt Coburn (1889–1971) was an American writer of Westerns. Coburn was born in White Sulphur Springs, Montana Territory, the son of Robert Coburn Senior, the founder of the noted Circle C Ranch.
Coburn served in the military in the First World War. He later spent time as a cowboy and a surveyor, before becoming a full-time writer in the 1920s.
Coburn began his career with Western stories in general fiction pulp magazines such as Adventure and Argosy. Later Coburn moved on to pulps specializing in Westerns, including Western Story Magazine, Lariat Story Magazine, Ace-High Western and Frontier Stories. He often wrote for the Fiction House pulp magazines, which promoted Coburn as “the Cowboy Author”.
Coburn was enormously prolific; Flanagan states Coburn wrote almost two million words of fiction over a thirty year period. Coburn at his most prolific, averaged over 600,000 published words per year. He was so popular that eventually, two pulp magazines – Walt Coburn’s Western Magazine and Walt Coburn’s Action Novels were issued, consisting mainly of reprints of Coburn’s work.
After the pulps ended in the 1950s, Coburn switched his focus to writing paperback originals.
Coburn was a devout Christian. Coburn claimed, in his posthumously published autobiography Western Word Wrangler (1973) that God had chosen him to spread the Christian message through his fiction.
Coburn committed suicide at age 82 in Prescott, Arizona.
1950
War Birdsadd_circle_outline
1932
1934
Weird Talesadd_circle_outline
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18.The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright’s control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright’s control the magazine lived up to its subtitle, “The Unique Magazine”, and published a wide range of unusual fiction.
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Lovecraft’s Cthulhu mythos stories first appeared in Weird Tales, starting with “The Call of Cthulhu” in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn’s series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.
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In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998.
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The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it “the most important and influential of all fantasy magazines”. Weinberg’s fellow historian, Mike Ashley, is more cautious, describing it as “second only to Unknown in significance and influence”, adding that “somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales”.
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1938
Westadd_circle_outline
1945
Western Action Novelsadd_circle_outline
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Western Storyadd_circle_outline
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Western Trailsadd_circle_outline
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Wild West Weeklyadd_circle_outline
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Wingsadd_circle_outline
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Women in Crimeadd_circle_outline
1948
Zane Grey’s Western Magazineadd_circle_outline
.44 Westernadd_circle_outline
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10 Story Detectiveadd_circle_outline
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10 Story Westernadd_circle_outline
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12 Sports Acesadd_circle_outline
1943
5 Detective Novelsadd_circle_outline
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1951
A. Merritt’s Fantasyadd_circle_outline
1949
1950
Ace G-Manadd_circle_outline
Ace-High Western Storiesadd_circle_outline
Acesadd_circle_outline
1931
Action Storiesadd_circle_outline
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Adventureadd_circle_outline
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an offshoot of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine’s first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927. –Taken from Wikipedia
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Air Actionadd_circle_outline
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Air Adventuresadd_circle_outline
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Air Storiesadd_circle_outline
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Air Stories UKadd_circle_outline
Air Waradd_circle_outline
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All-American Fictionadd_circle_outline
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All-American Football Magazineadd_circle_outline
1943
All-Story Detectiveadd_circle_outline
1949
Amazing Storiesadd_circle_outline
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback’s Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
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American Detectiveadd_circle_outline
1936
American Eagleadd_circle_outline
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American Magazineadd_circle_outline
American Sky Devilsadd_circle_outline
1942
Argosyadd_circle_outline
1932
1942
Army Navy Flying Storiesadd_circle_outline
1943
Astonishing Storiesadd_circle_outline
1943
Astounding Science Fictionadd_circle_outline
1941
Astounding Science Fiction UKadd_circle_outline
1940
Authentic Science Fictionadd_circle_outline
Authentic Science Fiction was a British science fiction magazine published in the 1950s.
At this time, science fiction magazines had been published successfully in North America for over twenty years, but little progress had been made in establishing British equivalents. The bulk of British sci-fi was published as paperback books, rather than magazines; a situation opposite of that in the US.
Since 1939, Atlas, a British publisher, had been producing a reprint edition of Astounding Science Fiction, one of the most well-regarded American sf magazines. During the war the contents had often been cut severely, and the schedule had not been regular, but it was reputed to sell 40,000 copies a month. This was enough to attract the attention of Hamilton & Co., a British publisher looking for new markets.
In 1949, Hamilton hired Gordon Landsborough as an editor. Landsborough did his best to improve the quality of the science fiction he was publishing, and was allowed to offer £1 per 1,000 words for selected material. He also was joined at Hamilton by H.J. Campbell, who was hired as a technical editor. Campbell was a London science fiction fan; he had been brought on by Hulton Press (publisher of the very successful comic the Eagle) to create a science fiction magazine, but the project had been abandoned before seeing print.
Out of this came Authentic Science Fiction, which in various incarnations, ran for 85 issues. source:wikipedia.
Baseball Storiesadd_circle_outline
1945
Battle Birdsadd_circle_outline
1942
Best Sports Storiesadd_circle_outline
1951
Big Book Detectiveadd_circle_outline
1942
Big Book Western Magazineadd_circle_outline
1940
Bill Barnes / Air Trailsadd_circle_outline
1934
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Black Book Detectiveadd_circle_outline
1939
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Black Maskadd_circle_outline
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Captain Futureadd_circle_outline
Captain Future is a science fiction hero – a space-traveling scientist and adventurer – originally published in a namesake pulp magazine from 1940 to 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works. Most significant was a 1978-79 Japanese anime (キャプテン・フューチャー), which was dubbed into several languages and proved very popular, particularly in Spanish, French, German and Arabic.
The stories were published in the pulp magazines from 1940 to 1951, featuring bright-colored cover illustrations by Earle K. Bergey and two other fellow pulp artists. The adventures mostly appeared in Captain Future’s own magazine but later stories appeared in Startling Stories. Captain Future is Curtis Newton, a brilliant scientist and adventurer who roams the solar system solving problems, righting wrongs, and vanquishing futuristic supervillains…
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The series contains a number of assumptions about the solar system which are outlandish by modern standards but which still seemed plausible, at least to the general public, in the time the stories were written. All of the planets of the solar system, and many of the moons and asteroids, are suitable for life, and most are already occupied by humanoid extraterrestrial races. The initial adventures take place in the planets of the solar system but later stories (after the character invents the “vibration drive”) take the hero to other stars, other dimensions and even the distant past and almost to the end of the Universe. For example, they visit the star Deneb, which is the origin of Earth humans, as well as many other humanoid races across the Solar System and beyond.
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1944
Captain Hazzardadd_circle_outline
Originally published in May of 1938, Captain Hazzard was a one shot issue magazine intended to be published bi-monthly by Magazine Publishers under the Ace Magazine imprint. Hazzard was a clone of Street and Smith’s extremely popular Doc Savage. While Doc was raised in an environment created to make him the optimal human being. Hazzard was an orphan who had lost his sight for 15 years. During his time of blindness Hazzard “developed his mental powers far beyond those of the average person” including the ability to communicate with others telepathically. In a typical pulp hero fashion after his vision returns he studies Oriental mysticism, becomes a mechanical genius, creates a research facility: Hazzard Labs, and collects other scientists and adventures to help him battle the forces of evil.
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Like Doc Savage Capt. Hazzard has a unique eye color that changes based on the the situation, fluctuating between gray and a steely blue. The character of Captain Hazzard fell into public domain several years ago. The original story Python Men of Lost City has been reprinted and rewritten by Ron Fortier and four new stories have been published. Captain Hazzard: Custer’s Ghost, Captain Hazzard: Cavemen of New York, Captain Hazzard: Citadel of Fear, and Captain Hazzard: Curse of the Red Maggot.
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While the author of the original magazine story is credited to a pseudonym Chester Hawks, the true author remains unknown.
1938
Captain Satanadd_circle_outline
Captain Zeroadd_circle_outline
Captain Zero as a crime fighting pulp hero. Lee Allyn is cursed with a mysterious capability of becoming invisible at the stroke of midnight and re-appears at dawn. Only his eyes are visible providing an achilles heal. Using this power, Captain Zero battles crime and the underworld.
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Published by Popular Publications starting in 1949, lasting three issues at the tail end of the pulp fiction magazine era. All three Captain Zero stories were written by G.T. Fleming-Roberts (1910 – 1968)